The Church of St. Anne is one of the leading examples of Polish Baroque architecture. The church was first mentioned in 1381 in the deed of donation of Sulisław I Nawoja of Grodziec. In 1407 the church was completely destroyed during a fire, but it was rebuilt the same year in the Gothic style by King Władysław II Jagiełło. The king also attached the Church formally to the Jagiellonian University by giving it the right to nominate the parish priest. In 1428 the choir was reconstructed and enlarged. By a charter dated October 27, 1535 St. Anne's was raised to the rank of a collegiate church.
In 1689 the Gothic edifice was demolished as it proved too small for the growing cult of Saint John Cantius, the patron saint of the Jagiellonian University who's laid to rest there. In 1689-1705 the new Baroque church was erected, modelled on Sant'Andrea della Valle in Rome. The architect was a Polonized Dutchman Tylman van Gameren, a chief architect at the court of John III Sobieski. The interior stucco decoration is the work of Baldassare Fontana, and the polychromy assisted by painters and brothers Carlo and Innocente Monti and Karl Dankwart of Nysa. The painting of St. Anne in the high altar is the work of Jerzy Siemiginowski-Eleuter, court painter of King John III Sobieski. The 18th-century paintings in the stalls showing the life of Saint Anne are by Szymon Czechowicz. In the transept there is an altar of the adoration of the cross to the left, and the tomb of John Cantius to the right.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.