The origins of today’s Łazienki Palace date back to the late 17th century. The Bathhouse was built at the behest of Prince Stanisław Herakliusz Lubomirski, one of the most important politicians, writers and philosophers of the time. The Baroque garden pavilion, designed by the Dutch architect, Tylman van Gameren, was intended as a place for resting, leisure and contemplation. The interiors of the Bathhouse were stylized on a grotto with a spring which symbolized the Hippocrene, a fountain on Mount Helicon in ancient Greece, which was the source of poetic inspiration for the Muses.
In 1764, when looking for a place in which to build his summer residence, King Stanisław August purchased the Bathhouse together with the Ujazdowski estate. Thanks to two architects – the Italian born Domenico Merlini and Johann Christian Kammsetzer, who was born in Dresden – the King transformed the Baroque Bathhouse pavilion into the neoclassical Palace on the Isle. Modelled on Italian architectural solutions, such as the Villa Borghese, Villa Albani, Villa Medici and Villa Ludovisi, it was intended to symbolize the dream of an ideal, modern and sovereign state.
Stanisław August transformed the Palace on the Isle into a villa museum in which he displayed the most valuable paintings from his collection of 2,289 works of art by some of the most distinguished European artists of the seventeenth and eighteen centuries. Dutch artists were the best represented; the finest paintings among them were those executed by Rembrandt van Rijn. Girl in a Picture Frame and Scholar at His Writing Table, were purchased from the King’s heirs in 1815 for the Lanckoroński collection and thanks to the donation from Karolina Lanckorońska made in 1994, they now hang in the Royal Castle in Warsaw.
Today, 140 works of art from the King’s collection are on display in the Palace on the Isle, and are exhibited in line with eighteenth-century principles. The most important works are: Anton R. Mengs’ Portrait of Sir Charles Hanbury Williams – English ambassador to Russia and friend of King Stanisław August – Jacob Jordaens the Elder’s Satyr Playing a Flute, Jan Victors’ Jacob and Esau, and Angelica Kauffmann’s Portrait of Princess Giuliana Pubblicola Santacroce.
References:The Villa d'Este is a 16th-century villa in Tivoli, near Rome, famous for its terraced hillside Italian Renaissance garden and especially for its profusion of fountains: the extraordinary system contains fifty-one fountains and nymphaeums, 398 spouts, 364 water jets, 64 waterfalls, and 220 basins, fed by 875 meters of canals, channels and cascades, and all working entirely by the force of gravity, without pumps. It is now an Italian state museum, and is listed as a UNESCO world heritage site.
Tivoli had been a popular summer residence since ancient Roman times due to its altitude, cooler temperatures and its proximity to the Villa Hadriana, the summer residence of the Emperor Hadrian I.
The Villa was commissioned by Cardinal Ippolito II d'Este (1509-1572), second son of Alfonso I d'Este, the Duke of Ferrara and grandson of Pope Alexander VI, along with Lucrezia Borgia.