The Warsaw Uprising Museum is dedicated to the Warsaw Uprising of 1944. The institution of the Museum was established in 1983, but no construction work took place for many years, and the museum finally opened on July 31, 2004, marking the 60th anniversary of the Uprising.
The Museum sponsors research into the history of the Uprising, and the history and possessions of the Polish Underground State. It collects and maintains hundreds of artifacts, ranging from weapons used by the insurgents to love letters, in order to present a full picture of the people involved. The Museum's stated goals include the creation of an archive of historical information on the Uprising and the recording of the stories and memories of the still living Uprising participants. Its director is Jan Ołdakowski, with historian Dariusz Gawin from the Polish Academy of Sciences as his deputy.
The museum covers all aspects of the Warsaw Uprising. There are many exhibits over several floors, containing photographs, audio and video, interactive displays, artifacts, written accounts and other testimonies of how life was during the German occupation of Warsaw, the uprising and its aftermath. There are displays dedicated to each district of Warsaw and many informative leaflets and flyers which visitors can take away for free, including 63 calendar pages covering the dates from 1st August 1944 to 2nd October 1944 - each containing a summary of the most important events that took place on that particular day of the uprising.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.