The Warsaw Uprising Museum is dedicated to the Warsaw Uprising of 1944. The institution of the Museum was established in 1983, but no construction work took place for many years, and the museum finally opened on July 31, 2004, marking the 60th anniversary of the Uprising.
The Museum sponsors research into the history of the Uprising, and the history and possessions of the Polish Underground State. It collects and maintains hundreds of artifacts, ranging from weapons used by the insurgents to love letters, in order to present a full picture of the people involved. The Museum's stated goals include the creation of an archive of historical information on the Uprising and the recording of the stories and memories of the still living Uprising participants. Its director is Jan Ołdakowski, with historian Dariusz Gawin from the Polish Academy of Sciences as his deputy.
The museum covers all aspects of the Warsaw Uprising. There are many exhibits over several floors, containing photographs, audio and video, interactive displays, artifacts, written accounts and other testimonies of how life was during the German occupation of Warsaw, the uprising and its aftermath. There are displays dedicated to each district of Warsaw and many informative leaflets and flyers which visitors can take away for free, including 63 calendar pages covering the dates from 1st August 1944 to 2nd October 1944 - each containing a summary of the most important events that took place on that particular day of the uprising.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.