Espoo Cathedral

Espoo, Finland

The Espoo Cathedral is a medieval stone church built in the last half of 15th century. The church is thus the oldest preserved building in the city. The church was originally designed in by an unknown "Espoo master" and built between 1485 and 1490 under his supervision.

The only remaining parts of the medieval church are the eastern and western parts of the nave. The weapons room was removed between 1804 and 1806 and certain other parts of the church, including the original sacristy, were taken apart between 1821 and 1823 when the building was converted into a more spacious cruciform church.

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Address

Kirkkomäki 1, Espoo, Finland
See all sites in Espoo

Details

Founded: 1480-1490
Category: Religious sites in Finland
Historical period: Middle Ages (Finland)

Rating

4.4/5 (based on Google user reviews)

User Reviews

Jussi Åkerberg (5 months ago)
Beautiful medieval Stone Church
Markus Heinonen (5 months ago)
Oldest church In finland apparently. Made before columbus went to america
Cristina Barcos (5 months ago)
Simple beautiful.
Kent Söderström (5 months ago)
Beautiful, old stone church. Often open for visits. Old crucifix found underneath the floor, now partly restored and placed over the altar. Old medival murals are also partly rescued and visible. The surroundings are also stunning. Well worth a visit.
Denis Shestakov (7 months ago)
Nice park area around
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Limburg Cathedral

The Cathedral of Limburg is one of the best preserved late Romanesque style buildings. It is unknown When the first church was built above the Lahn river. Archaeological discoveries have revealed traces of a 9th-century church building in the area of the current chapel. It was probably built in Merovingian times as a castle and the chapel added in the early 9th century.

In 910 AD, Count Konrad Kurzbold (cousin of the future King Konrad I) founded a collegiate chapter of 18 canons, who lived according to the rule of Bishop Chrodegang of Metz, on the hilltop site. The original castle chapel was torn down and a three-aisled basilica was built in its place. The foundations of this basilica have been found beneath the present floor.

The construction of current cathedral is dated to 1180-90. The consecration was performed in 1235 by the archbishop of Trier. It seems certain that the cathedral was built in four stages. The first stage encompassed the west facade, the south side aisle, the choir and the transept up to the matroneum. This section forms the Conradine church. The second stage consisted of the addition of the inner pillars of the south nave. In this stage the bound system was first introduced. In the third phase, the matroneum in the southern nave was built. The fourth stage included the north side of the transept and the choir matroneum. By this stage Gothic influence is very clear.

The interior was destroyed by Swedish soldiers during the Thirty Years War (1618-48) and reconstructed in a late Baroque style in 1749. The Baroque renovation was heavy-handed: the surviving medieval stained glass windows were replaced; all the murals were covered up; the ribs of the vaults and columns of the arcades were painted blue and red; the capstones were gilded; the original high altar was replaced. The colorfully painted exterior was coated in plain white and the central tower was extended by 6.5 meters.

The collegiate chapter of Limburg was dissolved in 1803 during the Napoleonic period, but then raised to the rank of cathedral in 1827 when the bishopric of Limburg was founded. Some renovations in contemporary style followed: the walls were coated white, the windows were redone in blue and orange (the heraldic colors of the Duke of Nassau) and towers were added to the south transept (1865).

Further changes came after Limburg was incorporated into the Kingdom of Prussia in 1866. It was now the Romantic period and the cathedral was accordingly restored to an idealized vision of its original Romanesque appearance. The exterior stonework was stripped of all its plaster and paint, to better conform with the Romantic ideal of a medieval church growing out of the rock. The Baroque interior was stripped away and the wall paintings were uncovered and repainted.

Further renovations came in 1934-35, enlightened by better knowledge of the original art and architecture. Art Nouveau stained glass windows were also added. A major restoration in 1965-90 included replastering and painting the exterior, both to restore it to its original appearance and to protect the stonework, which was rapidly deteriorating while exposed to the elements.

The interior is covered in medieval frescoes dating from 1220 to 1235. They are magnificent and important survivals, but time has not been terribly kind to them - they were whitewashed over in the Baroque period (1749) and uncovered and repainted with a heavy hand in the Romantic period (1870s) before finally being restored more sensitively in the 1980s.