Verona Cathedral

Verona, Italy

Verona Cathedral was erected after two Palaeo-Christian churches on the same site had been destroyed by an earthquake in 1117. Built in Romanesque style, the cathedral was consecrated on September 13, 1187. The structure was later modified by several renovation interventions, although the plan has remained unchanged.

The façade is divided into three parts, with a pediment and a two storied projecting porch or protiro embellished with sculpture, which is the work of the twelfth-century sculptor Nicholaus, who also executed and signed the entranceway at the abbey church of San Zeno, also in Verona, and Ferrara Cathedral. The portico is supported on the backs of two griffins, similar to those from the dismantled Porta dei Mesi at Ferrara. The lunette depicts the Virgin holding the Christ child in high relief, centered between two low relief scenes, the Annunciation to the Shepherds and the Adoration of the Magi. On the lintel in medallions are the three theological virtues, Faith, Charity and Hope. Ten figures of prophets are set in the doorposts and jambs; the four symbols of the Evangelists and the Hand of God are set above in the barrel vault of the first story of the porch. Set into the walls on either side of the portal are figures of Roland and Oliver, who as holy warriors, remind one of the constant need to provide protection to the church.

The Gothic windows in the facade provide evidence of the renovation that took place in the 14th century. The Baroque addition at the upper part of the facade is part of 17th-century additions. On the south side of the church is a second portal executed in the so-called Lombard or Como style. The main apse has retained its integrity and as such is an example of mid-12th-century architecture. The bell tower, begun in the 16th century by Michele Sanmicheli and left unfinished, has two orders of columns with highly decorated capitals, bas-reliefs and traces of 14th-century frescoes. It contains nine bells in the scale of A. The tenor weight is 4566 kg. The bells are rung with the tradition of Veronese bellringing art.

The current appearance of the interior dates from the 15th-century renovations. It has a nave and two aisles divided by tall pilasters in red Verona marble, which support Gothic arcades. The first three chapels on each side are in the same style, and house mostly Renaissance artworks by Veronese artists. The nave ends with the main Chapel (Cappella Maggiore), also by Sanmicheli.

References:

Comments

Your name



Address

Piazza Duomo 21, Verona, Italy
See all sites in Verona

Details

Founded: 1187
Category: Religious sites in Italy

Rating

4.6/5 (based on Google user reviews)

User Reviews

Leandro Romero (7 months ago)
I recommend you to buy the ticket "Intero Percorso 4 chiese" with which you can visit the 4 amazing and most important churches of Verona. The price is only 8 Euros per person.
david G T (8 months ago)
Visit this beautiful church is like traveling 500 years back in time
Robin (8 months ago)
I'm not a religious person but you have to appreciate the splendour and building skills in Verona Cathedral.
Kwon (12 months ago)
This is an amazing cathedral that is dedicated to the Virgin Mary. It’s well worth the visit and the entrance fee is very reasonable. The main basilica is stunning and although the main attraction is the piece by Titian, I would argue the other frescoes are more stunning.
Susana Alves (13 months ago)
The best 4€ spent. If you have some free time in Verona, this is a must see!! Amazing paintings and high ceilings. I was amazed the whole time and I’m still thinking about the greatness of it.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Wieskirche

The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.

The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.

The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.