The Princely Béguinage Ten Wijngaerde is the only preserved béguinage (architectural complex which formerly housed beguines, lay religious women who lived in community without taking vows or retiring from the world) in Bruges. There are no more Beguines living there, but since 1927 it functions as a convent for Benedictines, founded by canon Hoornaert. In the same year the houses at the west side were also reshaped and enlarged into the Monasterium De Wijngaard, a priory of Benedictine nuns.
Already before 1240 a community of pious women settled at the domain de Wingarde (old Dutch for vineyard), in the South of the city. This name probably refers to low-lying meadows. The béguinage was founded around 1244 by Margaret of Constatinopel, after she requested permission to Walter van Marvis, bishop of Tournai, to move over the tomb chapel on the Burg of Bruges to the Wijngaard. In 1245 it was recognised as an independent parish. In 1299 it came under direct authority of king Philip the Fair and it was entitled as 'Princely Béguinage'.
The complex includes a gothic béguinage church and about thirty white painted houses dating from the late 16th, 17th and 18th century. Practically all of these are built around a central yard. The main entrance with gate can be reached via the three-arched stone bridge, the Wijngaard Bridge. In a bay the image of the holy Elizabeth of Hungary can be seen, who was the patron of many béguinages. De Wijngaard is also devoted to Saint Alexius. The entrance gate was built in 1776 by master mason Hendrik Bultynck. The first Beguine house next to the entrance is furnished as a museum and the exhibition includes paintings, 17th and 18th century furniture and lacework, among others. A second gate gives access to the Sas House, via the Sas Bridge.
Ten Wijngaerde is part of the UNESCO World Heritage Site of Flemish Béguinages.References:
Built around AD 90 to entertain the legionaries stationed at the fort of Caerleon (Isca), the impressive amphitheatre was the Roman equivalent of today’s multiplex cinema. Wooden benches provided seating for up to 6,000 spectators, who would gather to watch bloodthirsty displays featuring gladiatorial combat and exotic wild animals.
Long after the Romans left, the amphitheatre took on a new life in Arthurian legend. Geoffrey of Monmouth, the somewhat imaginative 12th-century scholar, wrote in his History of the Kings of Britain that Arthur was crowned in Caerleon and that the ruined amphitheatre was actually the remains of King Arthur’s Round Table.
Today it is the most complete Roman amphitheatre in Britain.