The Église St-Nicolas is a delightful little church behind the Bourse in Brussels. It is surrounded by fine old houses that seem to huddle under it.
This small church is almost 1,000 years old, but little remains of the original structure. Its 11th-century Romanesque lines are hidden by a 14th-century Gothic facade and the repairs made after the French bombardment of 1695. A cannonball fired by the French in 1695 is still lodged in one of the pillars.
The church holds a small painting by Rubens of The Virgin and Child and the Vladimir Icon painted by an artist from Constantinople in 1131.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.