The Stoclet Palace was built by architect Josef Hoffmann for banker and art lover Adolphe Stoclet between 1905 and 1911. Considered Hoffman's masterpiece, the Stoclet's house is one of the most refined and luxurious private houses of the twentieth century. The mansion is still occupied by the Stoclet family and is not open to visitors. It was designated as a world heritage site by UNESCO in June 2009.

The Stoclet Palace was commissioned by Adolphe Stoclet (1871-1949), a wealthy industrialist and art collector. He chose 35-year-old Austrian architect Josef Hoffmann (1870-1956), a founder member of the Vienna Secession, a radical group of designers and artists established in 1897. Hoffman abandoned fashions and styles of the past and produced a building that is an asymmetrical compilation of rectangular blocks, underlined by exaggerated lines and corners.

The starkness of the exterior is softened by artistic windows, which break through the line of the eaves, the rooftop conservatory and bronze sculptures of four nude males by Franz Metzner, which are mounted on the tower that rises above the stairwell. Regimented upright balustrades line the balconies, touched with Art Nouveau ornamentation.

The Stoclet Palace was the first residential project for the Wiener Werkstätte (Vienna Workshops), co-founded by Hoffman in 1903. Josef Hoffman and his colleagues designed every aspect of the mansion, down to the door handles and light fittings. The interior is as spartan as the exterior, with upright geometric furniture and minimal clutter. This was a avant-garde approach, presenting a 'reformed interior' where function dictated foem. The interior of the building is decorated with marble paneling and artworks, including mosaic friezes by Gustav Klimt and murals by Ludwig Heinrich Jungnickel. The integration of architects, artists, and artisans makes Stoclet Palace an example of a Gesamtkunstwerk, one of the defining characteristics of Jugendstil. Klimt's sketches for the dining room are in the permanent collection of the Museum für angewandte Kunst (MAK) in Vienna.

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The Château de Chaumont was founded in the 10th century by Odo I, Count of Blois. The purpose was to protect his lands from attacks from his feudal rivals, Fulk Nerra, Count of Anjou. On his behalf the Norman Gelduin received it, improved it and held it as his own. His great-niece Denise de Fougère, having married Sulpice d'Amboise, passed the château into the Amboise family for five centuries.

Pierre d'Amboise unsuccessfully rebelled against King Louis XI and his property was confiscated, and the castle was dismantled on royal order in 1465. It was later rebuilt by Charles I d'Amboise from 1465–1475 and then finished by his son, Charles II d'Amboise de Chaumont from 1498–1510, with help from his uncle, Cardinal Georges d'Amboise; some Renaissance features were to be seen in buildings that retained their overall medieval appearance. The château was acquired by Catherine de Medici in 1550. There she entertained numerous astrologers, among them Nostradamus. When her husband, Henry II, died in 1559 she forced his mistress, Diane de Poitiers, to exchange Château de Chaumont for Château de Chenonceau which Henry had given to de Poitiers. Diane de Poitiers only lived at Chaumont for a short while.

Later Chaumont has changed hands several times. Paul de Beauvilliers bought the château in 1699, modernized some of its interiors and decorated it with sufficient grandeur to house the duc d'Anjou on his way to become king of Spain in 1700. Monsieur Bertin demolished the north wing to open the house towards the river view in the modern fashion.

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The castle has been classified as a Monument historique since 1840 by the French Ministry of Culture. The Château de Chaumont is currently a museum and every year hosts a Garden Festival from April to October where contemporary garden designers display their work in an English-style garden.