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The Kordin Temples are a group of megalithic temples on Corradino Heights in Paola. Originally there were three temple complexes, but two of these have been destroyed, and only the site of Kordin III survives. The Kordin III complex consists of two temples. The larger one has a standard 3-apse plan, typical of Ġgantija phase design. The temple has a concave facade, with the forecourt and entrance passage to the central court being stone-paved. This stone paving is unique to Kordin III, as this has not been found in any other temples of Malta. Behind the temple are some small rooms, which were possibly used as storerooms but could have also been an irregular minor temple. The first part of the temple is believed to have been built in around 3700 BC, during the Mġarr phase. Most of the structure dates back to the Ġgantija phase, and the complex was still in use during the Tarxien phase, when the facade was rebuilt. The site is believed to have been abandoned in around 2500 BC.
The site was cleared from debris by Cesare Vassallo in the 1870s. Antonio Annetto Caruana discovered further clusters of megalithic monuments in the area in 1882, and the site was properly excavated by Thomas Ashby and Thomas Eric Peet in 1909. Other excavations were undertaken by John Davies Evans in 1953 and by David Trump in 1961.
A walled enclosure was built around the temple in 1925, and it is kept locked to give it maximum protection. Like Kordin I and II, the temple was also damaged in World War II, but its remains were not built over after the war and can still be seen today.
Although in poor condition, the temple is one of the most complete of the minor temples. In 2009, the viability of extending the World Heritage listing to Kordin III was examined.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.