Fort Rinella is one of a series of four coastal batteries built by the British in Malta and in Gibraltar between the years 1878 and 1886. The purpose for building these forts was for each of them to house an Armstrong 100-ton gun. The building of these forts was necessitated by Britain’s fear of losing her naval superiority in the Mediterranean to Italy, who was at the time rebuilding her navy to an unprecedented strength.
In Malta two sites, at the mouth of the Grand Harbour, were identified to mount the 100-ton guns. Two batteries of a standard pattern were built. One of the batteries was built at Sliema and the other was built at Rinella. The overall design of each battery was that of an irregular pentagon surrounded by a deep ditch, which was enfiladed by three caponiers and a counter-scarp gallery. The forts were built on two levels – underground were the magazine and two loading-chambers; at ground level were the accommodation area and machinery chambers.
The 100-ton gun presently at Fort Rinella arrived in Malta from Woolwich in 1882. After some months the gun was ferried from the Dockyard to Rinella Bay from where it was transported to Fort Rinella. The gun had to be manhandled all the way to the fort. The operation, which involved about 100 men from the 1st Brigade Scottish R.A. Division, lasted three months. Finally in January 1884 the gun was brought into position and was ready for use. The gun was mounted en barbette on a wrought-iron sliding carriage. In this position the gun fired over the top of the parapet of the emplacement without the need of exposing the gun-crew to enemy fire. Given its massive proportions the gun could not be worked manually, therefore an ingenious hydraulic system was used to traverse it and to load it. This makes Fort Rinella the first battery to have had a gun worked by mechanical means.
After the fort was completed in 1886, War Department inspectors visited the fort and found that the design needed alteration in order to render it more effective against bombardment. Consequently most of the masonry riveting within the emplacement was removed and two musketry positions on the roof were completely filled in with earth. Modifications were also carried out to the gun’s machinery so as to render it more efficient.
In 1906, after just twenty years in service, the 100-ton guns in British service were declared obsolete. As a consequence of the 100-ton gun being phased out, Fort Rinella was stripped of all its machinery and abandoned. The 100- ton guns had never fired a shot in anger.
Up till the mid-1930s Fort Rinella served as a Position Finding Station for nearby Fort Ricasoli. Thereafter the fort was handed over to the Admiralty who surrendered the property to the Government of Malta in 1965.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.