Trausnitz Castle was the home of the Wittelsbach dynasty, and it served as their ducal residence for Lower Bavaria from 1255–1503, and later as the seat of the hereditary rulers of the whole of Bavaria. The castle was founded in 1204 by Duke Ludwig I. By 1235, when Emperor Friedrich stayed in Landshut as a guest of the duke, the castle was largely complete. In the first half of the 13th century, Trausnitz was not only a political centre but also a centre of Staufen culture.
In the 15th century the castle was altered and extended many times. The Princes' Building and the New Knights' Hall were constructed, the ring walls were raised and extended and the striking towers were built. Even today, at four-yearly intervals, the 'Landshut Wedding' is still celebrated with a re-enactment of the festivities organized in 1475 by Ludwig the Rich for the wedding of his son Georg and Hedwig, daughter of the Polish king.
Duke Ludwig X, who lived in Landshut from 1516 on as the co-regent of his brother and the governor of Landshut, gradually redesigned the castle, first in the late Gothic style and later in the Renaissance style. Unfortunately little has remained from this period. Old views of the castle show that in the 16th century the Outer Courtyard was full of buildings serving various functional purposes.
Wilhelm V, born in Landshut in 1548, lived at Trausnitz Castle during the period from 1568 to 1579 prior to becoming the reigning duke. Here he assembled a large number of important artists, musicians and comedians. It was during this period that the castle was decorated with important wall paintings in the style of Florentine Mannerism, most of which were lost in a devastating fire in the year 1961. The paintings were retouched and completed under his grandson Elector Ferdinand Maria from 1675 to 1679, and it was during his era that other rooms of the Princes' Building were painted for the first time.
Ultimately Trausnitz could no longer meet the increasing representational requirements of the baroque rulers. In the 18th century it was put to various uses, for example as a barracks and a prison for aristocratic prisoners, and in 1762 it was used as a manufactory for woollen goods and silk. At the beginning of the 19th century the castle served as a barracks and a hospital, and from 1831 as a cholera hospital. From 1869 appropriate guest accommodation was prepared on the 2nd floor for visits by King Ludwig II, but this was never used.
From the 18th century the electoral bursary registry was also located here, which later became the State Archives for Lower Bavaria. In a devastating fire on 21 October 1961, large sections of the Princes' Building were destroyed, and the castle was subsequently comprehensively restored and renovated.
Included in the tour of the castle are medieval halls such as the impressive vaulted Old Knight's Hall and the castle chapel with its important sculptures and the winged altar-pieces of the Rich Dukes. The Renaissance is represented with vaulted cabinets, panelled rooms and the famous Fools' Staircase with its monumental scenes from the Italian Commedia dell'arte. The tour culminates with a view of the town from the tower terrace.
The Wittelsbach dukes were traditionally great collectors, and examples of their treasures are on display in the Chamber of Art and Curiosities – a branch of the Bavarian National Museum – in the former Ladies' Apartments of Trausnitz Castle.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.