Trausnitz Castle was the home of the Wittelsbach dynasty, and it served as their ducal residence for Lower Bavaria from 1255–1503, and later as the seat of the hereditary rulers of the whole of Bavaria. The castle was founded in 1204 by Duke Ludwig I. By 1235, when Emperor Friedrich stayed in Landshut as a guest of the duke, the castle was largely complete. In the first half of the 13th century, Trausnitz was not only a political centre but also a centre of Staufen culture.
In the 15th century the castle was altered and extended many times. The Princes' Building and the New Knights' Hall were constructed, the ring walls were raised and extended and the striking towers were built. Even today, at four-yearly intervals, the 'Landshut Wedding' is still celebrated with a re-enactment of the festivities organized in 1475 by Ludwig the Rich for the wedding of his son Georg and Hedwig, daughter of the Polish king.
Duke Ludwig X, who lived in Landshut from 1516 on as the co-regent of his brother and the governor of Landshut, gradually redesigned the castle, first in the late Gothic style and later in the Renaissance style. Unfortunately little has remained from this period. Old views of the castle show that in the 16th century the Outer Courtyard was full of buildings serving various functional purposes.
Wilhelm V, born in Landshut in 1548, lived at Trausnitz Castle during the period from 1568 to 1579 prior to becoming the reigning duke. Here he assembled a large number of important artists, musicians and comedians. It was during this period that the castle was decorated with important wall paintings in the style of Florentine Mannerism, most of which were lost in a devastating fire in the year 1961. The paintings were retouched and completed under his grandson Elector Ferdinand Maria from 1675 to 1679, and it was during his era that other rooms of the Princes' Building were painted for the first time.
Ultimately Trausnitz could no longer meet the increasing representational requirements of the baroque rulers. In the 18th century it was put to various uses, for example as a barracks and a prison for aristocratic prisoners, and in 1762 it was used as a manufactory for woollen goods and silk. At the beginning of the 19th century the castle served as a barracks and a hospital, and from 1831 as a cholera hospital. From 1869 appropriate guest accommodation was prepared on the 2nd floor for visits by King Ludwig II, but this was never used.
From the 18th century the electoral bursary registry was also located here, which later became the State Archives for Lower Bavaria. In a devastating fire on 21 October 1961, large sections of the Princes' Building were destroyed, and the castle was subsequently comprehensively restored and renovated.
Included in the tour of the castle are medieval halls such as the impressive vaulted Old Knight's Hall and the castle chapel with its important sculptures and the winged altar-pieces of the Rich Dukes. The Renaissance is represented with vaulted cabinets, panelled rooms and the famous Fools' Staircase with its monumental scenes from the Italian Commedia dell'arte. The tour culminates with a view of the town from the tower terrace.
The Wittelsbach dukes were traditionally great collectors, and examples of their treasures are on display in the Chamber of Art and Curiosities – a branch of the Bavarian National Museum – in the former Ladies' Apartments of Trausnitz Castle.
References:The Château de Foix dominates the town of Foix. An important tourist site, it is known as a centre of the Cathars. Built on an older 7th-century fortification, the castle is known from 987. In 1002, it was mentioned in the will of Roger I, Count of Carcassonne, who bequeathed the fortress to his youngest child, Bernard. In effect, the family ruling over the region were installed here which allowed them to control access to the upper Ariège valley and to keep surveillance from this strategic point over the lower land, protected behind impregnable walls.
In 1034, the castle became capital of the County of Foix and played a decisive role in medieval military history. During the two following centuries, the castle was home to Counts with shining personalities who became the soul of the Occitan resistance during the crusade against the Albigensians. The county became a privileged refuge for persecuted Cathars.
The castle, often besieged (notably by Simon de Montfort in 1211 and 1212), resisted assault and was only taken once, in 1486, thanks to treachery during the war between two branches of the Foix family.
From the 14th century, the Counts of Foix spent less and less time in the uncomfortable castle, preferring the Governors' Palace. From 1479, the Counts of Foix became Kings of Navarre and the last of them, made Henri IV of France, annexed his Pyrrenean lands to France.
As seat of the Governor of the Foix region from the 15th century, the castle continued to ensure the defence of the area, notably during the Wars of Religion. Alone of all the castles in the region, it was exempted from the destruction orders of Richelieu (1632-1638).
Until the Revolution, the fortress remained a garrison. Its life was brightened with grand receptions for its governors, including the Count of Tréville, captain of musketeers under Louis XIII and Marshal Philippe Henri de Ségur, one of Louis XVI's ministers. The Round Tower, built in the 15th century, is the most recent, the two square towers having been built before the 11th century. They served as a political and civil prison for four centuries until 1862.
Since 1930, the castle has housed the collections of the Ariège départemental museum. Sections on prehistory, Gallo-Roman and mediaeval archaeology tell the history of Ariège from ancient times. Currently, the museum is rearranging exhibits to concentrate on the history of the castle site so as to recreate the life of Foix at the time of the Counts.