The Regensburg Cathedral, dedicated to St Peter, is the most important church and landmark of the city of Regensburg. It is the prime example of Gothic architecture in Bavaria.
A first bishop"s church was built around 700, at the site of the present-day cathedral parish church Niedermünster (St. Erhard"s tomb). Around 739, St. Boniface chose the area of the Porta Praetoria (North Gate of the old Roman fort) for the bishop"s seat, and the site of the cathedral has remained there since. The Cathedral was rebuilt in Carolingian times and expanded in the early 11th century, with an approximately 15-meter-wide transept, two towers and an atrium.
In 1156-1172 the edifice burnt twice, and was also rebuilt starting from 1273 in High Gothic style. The three choirs of the new cathedral were ready for use in 1320, while the old cathedral was demolished at the same time. In 1385-1415 the elaborate main entrance to the west was completed, with the most of the new edifice being finished around 1520; the cloister was constructed in 1514-1538.
The cupola at the transept crossing and other sectors were renovated in Baroque style in the 17th century. In 1828-1841 the cathedral underwent a neo/Gothic restoration commissioned by King Ludwig I of Bavaria. The Baroque frescoes were relocated and the cupola demolished, being replaced by a quadripartite rib vault. The towers and their spires were built in 1859-1869. Three years later the cathedral was finally finished, with the completion of the transept gable and the spire (at the crossing), after some 600 years of construction.
The state-run Dombauhütte (Cathedral building workshop) was founded in 1923, for the ongoing oversight, maintenance, and restoration of the cathedral. In the 1980s construction of the crypt mausoleum and archeological exploration of the center nave (partial exposure of a former southern arcade entrance to the atrium of a precursor Roman structure) were carried on.
An unusual feature of Regensburg Cathedral is its separation from the structure of the older cloister. This separation came about when the church was rebuilt and displaced to the southwest of the earlier Romanesque cathedral.
The Erminold Maria is one element of an Annunciation group in the Regensburg Cathedral. It goes back to the so-called Erminoldmeister, who carved and colorfully painted the figure of Mary and the famous laughing figure of the angel Gabriel about 1280. The figures are juxtaposed to one another on the two western pillars at the crossing of the nave. Mary"s right hand is slightly raised toward the angel in greeting. In her left hand she holds a book, into which she is pointing with her index finger.
On the eastern pillars at the crossing are stone figures of Saints Peter and Paul, which were installed in 1320 and 1360-1370 respectively. On the exterior there is a Judensau (Jews" sow) in the form of a sow and three Jews hanging onto its teats. The Judensau faces in the direction of the former Jewish quarter at the Neupfarrplatz.
The All Saints" Chapel in the cathedral cloister was built in 1164 as a burial chapel for Bishop Hartwig II by master builders from Como, in northern Italy. Its interior consists of a more finely articulated triconchos with frescoes from the time of its construction.
Most of the valuable stained glass windows were installed between 1220-1230 and 1320-1370. The windows of the west facade were only completed in the 19th century. In 1967-1968 came the windows of the left chancel, from the hand of the artist Professor Oberberger. He also produced the Pentecost window in the west of the north transept and the clerestory windows in Gothic style.
The silver high altar stems from Augsburg artists and was built in the period between 1695 and 1785. A particular feature is the five Gothic altars of reservation. St. Peter Canisius preached from the stone pulpit in the central nave in 1556-1557.
The Cathedral is also the burial place of important bishops, including Johann Michael von Sailer (1829-1832, memorial built by Konrad Eberhard in the south chancel), Georg Michael Wittmann (1832-1833, memorial also by Konrad Eberhard in the north chancel), and Archbishop Michael Buchberger (1927-1961, likewise in the north chancel). In the western part of the central nave stands a bronze memorial for the Prince-Bishop Cardinal Philipp Wilhelm (d. 1598), the brother of Duke Maximilian I of Bavaria.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.