Old Jewish Cemetery is the largest Jewish cemetery in Europe and one of the most important Jewish historical monuments in Prague. It served its purpose from the first half of 15th century till 1786. Renowned personalities of the local Jewish community were buried here; among them rabbi Jehuda Liva ben Becalel – Maharal (ca. 1526–1609), businessman Mordecai Maisel (1528–1601), historian David Gans (ca. 1541–1613) and rabbi David Oppenheim (1664–1736).
The Old Jewish Cemetery is not the first Jewish cemetery in Prague – its predecessor was so-called 'Jewish Garden“ located in the area of present New Town of Prague. This cemetery was closed by order of King Wladislav II Jagello in 1478 because of complaints of Prague citizens. Later it disappeared under the streets of New Town. We know that the history of the Old Cemetery started before that, but the exact date when it was founded is unknown. The only clue is the oldest gravestone in the cemetery from 1439 which belongs to rabbi and poet Avigdor Kara.
Starting at the middle of the 15th century, the gravestones record is a continual time line of burials. The final gravestone is dated 1787; three years earlier, the enlightened sovereign Emperor Josef II had banned burials inside the city walls for hygienic reasons. Later Prague Jews used a cemetery in Žižkov, founded in the 17th century because of plague epidemic.
During the more than three centuries in which it was in active use, the cemetery continually struggled with the lack of space. Piety and respect for the deceased ancestors does not allow the Jews to abolish old graves. Only occasionally the Jewish Community was allowed to purchase grounds to expand the cemetery and so many times it had to gain space in other ways; if necessary, a new layer of soil was heaped up on the available area. For this reason, there are places where as many as twelve layers now exist. Thanks to this solution the older graves themselves remained intact. However, as new levels were added it was necessary either to lay over the gravestones associated with the older (and lower) graves to protect them, or else to elevate the stones to the new, higher surface. This explains the dense forest of gravestones that one sees today; many of them commemorate an individual who is buried several layers further down. This also explains why the surface of the cemetery is raised several meters higher than the surrounding streets; retaining walls are necessary to hold the soil and the graves in place.
There are two kinds of Jewish burial monuments – the older is a slab of wood or stone, basically rectangular, but with various endings at the top. Tumba (in Hebrew ohel – tent) appears later, in baroque times. It is generally more representative than the first mentioned kind and resembles a little house. Such tumbas commemorate on the cemetery for example Maharal or Mordecai Maisel. Tumbas do not contain the remains; they are buried underneath in ground.
The oldest gravestones on Old Jewish cemetery are plain, yet very soon the number of ornaments (pilasters, volutes, false portals, etc.) began to increase. Most decorated gravestones come from 17th century. However, on every gravestone there are Hebrew letters that inform about the name of the deceased person and the date of his or her death or burial. From 16th century the gravestones characterize the deceased also through various symbols, hinting at the life, character, name or profession of the people.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.