Vyšehrad ('upper castle') is a historical fort built probably in the 10th century on a hill over the Vltava River. Situated within the castle is the Basilica of St Peter and St Paul, as well as the Vyšehrad Cemetery, containing the remains of many famous people from Czech history. It also contains Prague's oldest surviving building, the Rotunda of St Martin from the 11th century.
Local legend holds that Vyšehrad was the location of the first settlement which later became Prague, though thus far this claim remains unsubstantiated.
When the PÅ™emyslid dynasty settled on the current site of Prague Castle, the two castles maintained opposing spheres of influence for approximately two centuries. Like this the second seat of the Czech sovereigns was established on a steep rock directly above the right bank of the Vltava river, in the 10th century. The zenith of Vyšehrad was during the second half of the 11th century, when Vratislav transferred his seat from Prague Castle, and the original fort was remodelled as a complex comprising a sovereign's palatial residence, church and seat of the chapter. The period of growth ended around 1140 when Prince SobÄ›slav moved his seat back to Prague Castle.
When Holy Roman Emperor Charles IV began to build the Prague Castle in its current dimensions in the early 14th century, the deteriorating castle Vyšehrad was abandoned as a royal home. Later the whole complex was renewed by Charles IV and new fortifications, with two gates and a royal palace were built, while the palace of Saints Peter and Paul awaited repair. At the beginning of the Hussite Wars, Vyšehrad was conquered and ransacked by the Hussites in 1420 and then again in 1448 by the troops of King George of PodÄ›brady. The castle was then abandoned and became ruined. It underwent a renovation in the 17th century, when the Habsburg Monarchy took over the Czech lands after the Thirty Years' War and remodelled it in 1654 as a Baroque fortress, turning it into a training centre for the Austrian Army, and later incorporated into the Baroque era city walls around Prague.
The present form of Vyšehrad as a fortified residence, with powerful brick ramparts, bastions and the Tábor and Leopold gates, is a result of Baroque remodelling. The Cihelná brána (Brick gate) is an Empire-style structure, dating from 1841. The main part of the ŠpiÄka Gate, parts of the Romanesque bridge, and the ruined Gothic lookout tower known as Libušina lázeÅˆ (Libuše's Bath) are the only fragments that have been preserved from the Middle Ages. The Romanesque rotunda of St. Martin dates from the second half of the 11th century. The 11th century of Church of Sts. Peter and Paul, which dominates Vyšehrad, was remodelled in the second half of the 14th century and again in 1885 and 1887 in the Neo-gothic style. Vyšehrad and the area around it became part of the capital city in 1883. The area is one of the cadastral districts of the city.
By the twenty-first century, Vyšehrad has become a public park that is a popular site for recreation and celebrations. For example, it is a popular place for Czechs to celebrate New Year's Eve.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.