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Tivoli Castle is a mansion located in the Ljubljana's Tivoli Park. In the early 15th century, a tower stood in the woods above the site; it was owned by Georg Apfalterer, an ally of Duke Frederick (later Holy Roman Emperor Frederick III). The tower was destroyed by Frederick II, Count of Celje in 1440.
The current structure was built in the 17th century atop the ruins of a previous Renaissance-period castle, the mansion was initially owned by the Jesuits, but came into the possession of the Diocese of Ljubljana following the 1773 suppression of the Jesuit order. Used as the bishop's summer residence, it was surrounded with orchards.
In the mid-19th century, it was bought by the Austrian emperor Francis Joseph I, who in 1852 presented it as a gift to the veteran Habsburg marshal Joseph Radetzky. Radetzky renovated the mansion in the Neoclassical style, giving it its present appearance, and spent much of his retirement in it with his wife Francisca von Strassoldo Grafenberg, a local Carniolan noblewoman.
The field marshal Joseph Radetzky von Radetz (1766–1858) contributed a lot to the arrangement of Tivoli Park. There was a full-size cast iron statue of Radetzky on display in Ljubljana on the steps in front of Tivoli Castle from 1882 till 1918. In 1851, it won a prize at the Great Exhibition in London. Today, it is preserved by the City Museum of Ljubljana. The statue's pedestal, however, remains at its original place.
In 1863, the mansion was bought by the Municipality of Ljubljana, who used it as (among other things) a poorhouse, later subdividing it into condominiums. In 1967, it was again renovated and became the venue for the International Centre of Graphic Arts.
In 1864, the Austrian sculptor Anton Dominik Fernkorn created four cast iron dogs, still on display in Tivoli Park in front of Tivoli Castle. The dogs do not have tongues, and it has been falsely rumoured that Fernkorn committed suicide by shooting himself due to this mistake.
References:The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.