The Church of St. Trophime (Trophimus) is former cathedral built between the 12th century and the 15th century in the city centre of Arles. According to legend, Trophimus of Arles becomes the first bishop of Arles around 250 AD.
The church was built upon the site of the 5th century basilica of Arles, named for St. Stephen. The apse and the transept were probably built first, in the late 11th century, and the nave and bell tower were completed in the second quarter of the 12th century. The Romaneque church had a long central nave 20 meters high. The windows are small and high up on the nave, above the level of the collateral aisles. In the 15th century a Gothic choir was added to the Romanesque nave.
St. Trophime is an important example of Romanesque architecture, and the sculptures over the portal, particularly the Last Judgement, and the columns in the adjacent cloister, are considered some of the finest examples of Romanesque sculpture.
Though mainly notable for its outstanding Romanesque architecture and sculpture, the church contains rich groups of art from other periods. These include several important carved Late Roman sarcophagi, reliquaries from various periods, and Baroque paintings, with three by Louis Finson. Trophime Bigot is also represented, and there are several Baroque tapestries, including a set of ten on the Life of the Virgin. The church has been used to hold items originally from other churches or religious houses in the region that were dispersed in the French Revolution or at other times.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.