Mirabell Palace

Salzburg, Austria

Mirabell Palace with its gardens is part of the Historic Centre of the City of Salzburg UNESCO World Heritage Site. The palace was built about 1606 on the shore of the Salzach river north of the medieval city walls, at the behest of Prince-Archbishop Wolf Dietrich Raitenau. The Archbishop suffered from gout and had a stroke the year before; to evade the narrow streets of the city, he decided to erect a pleasure palace for him and his mistress Salome Alt. Allegedly built within six months according to Italian and French models, it was initially named Altenau Castle.

When Raitenau was deposed and arrested at Hohensalzburg Castle in 1612, his successor Mark Sittich von Hohenems expelled Salome Alt and her family from the premises. Mark Sittich gave the palace its current name from Italian word mirabile ('amazing'). It was rebuilt in a lavish Baroque style from 1721 to 1727, according to plans designed by Johann Lukas von Hildebrandt.

On 1 June 1815 the later King Otto of Greece was born here, while his father, the Wittelsbach crown prince Ludwig I of Bavaria served as stadtholder in the former Electorate of Salzburg. The current Neoclassical appearance dates from about 1818, when the place was restored after a blaze. Archbishop Maximilian Joseph von Tarnóczy resided here from 1851 to 1863. The father of Hans Makart worked here as a chamberlain. Joachim Haspinger (1776-1858), Capuchin priest and a leader of the Tyrolean Rebellion, spent his last year in a small flat.

The palace was purchased by the City of Salzburg in 1866. After World War II it was temporarily used for the mayor's office and housed several departments of the municipal administration.

Marble Hall

The Marble Hall of Mirabell Palace is the venue of the Salzburg Palace Concerts, directed by Luz Leskowitz. It is also a popular location for weddings.

Gardens

The Mirabellgarten was laid out under Prince-Archbishop Johann Ernst von Thun from 1687 according to plans designed by Johann Bernhard Fischer von Erlach. In its geometrically-arranged gardens are mythology-themed statues dating from 1730 and four groups of sculpture, created by Italian sculptor Ottavio Mosto from 1690. It is noted for its boxwood layouts, including a sylvan theater designed between 1704 and 1718. An orangery was added in 1725.

The gardens were made accessible to the public under Emperor Franz Joseph I of Austria. Up to today, it is one of the most popular tourists' attraction in Salzburg. Several scenes from The Sound of Music were filmed here.

References:

Comments

Your name

Website (optional)



Details

Founded: 1606
Category: Palaces, manors and town halls in Austria

Rating

4.5/5 (based on Google user reviews)

User Reviews

Llubitza Banic (2 months ago)
This place is so romantic, full of flowers, who ever was the architect did an amazing job. The gardens are spacious and free entrance You have so many mythological statues like unicorns, Pegasus , etc..... Highly recommend to pass and enjoy this place.
Justus Marsden (2 months ago)
Stunning gardens! Even in winter it's a great place to bring some lunch and look at the first flowers coming through. Only shame is the small greenhouse, which in parts looks a bit worn.. Oh and the gnome exhibition is closed in winter.
thvs86 (2 months ago)
One of the most beautiful places to visit in the city. Just walking through the gardens leaves you with peace of mind, making you more relaxed and optimistic. It really helps that the place is quiet, disconnected from the turmoil of the city. If you're a history buff or just really interested in how people lived in different times (like me!) then you'll love this place because Mirabell Palace is a historical and the palace with its gardens is a listed cultural heritage monument.
Amy Marie (2 months ago)
This is one of the most beautiful places in the city. The gardens and statues are magnificent. So beautiful for photos or just to hang out for a while and take in the scenery. This is also where a couple of movies have been filmed so you might recognize the place from TV
Karolina Kaltur (3 months ago)
I visited the palace in the winter and summer time. I definitely recommend visiting it in the summer because of the beautiful gardens around full of colourful flowers. If you like this kind of stuff that's a must-see .
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Porta Nigra

The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.