St. Michael's Jesuit church in Munich is the largest Renaissance church north of the Alps. The style of the building had an enormous influence on Southern German early Baroque architecture.
The church was built by William V, Duke of Bavaria between 1583 and 1597 as a spiritual center for the Counter Reformation. In order to realise his ambitious plans for the church and the adjoining college, Duke William had 87 houses in the best location pulled down, ignoring the protests of the citizens. The church was erected in two stages. In the first stage (1583-88), the church was built by the model of Il Gesù in Rome and given a barrel-vaulted roof by an unknown architect, the vault being the largest in the world apart from that of St Peter's in Rome, spanning freely more than 20 meters. When the church was built, there were doubts about the stability of the vaulting. But it was the tower that collapsed in 1590, destroying the just completed quire. Duke William V took it as a bad omen and so planned to build a much larger church. The second phase of construction continued until the consecration of the church in 1597. Friedrich Sustris built on to the undamaged nave a new quire and a transept and a magnificent facade. The church is 78.2 meters long, 20.3 meters wide and 28.2 meters high.
The facade is impressive and contains standing statues of Duke Wilhelm and earlier rulers of the Bavarian Wittelsbach dynasty, cast in bronze, in the form of a family tree. Hubert Gerhard's large bronze statue between the two entrances shows the Archangel Michael fighting for the Faith and killing the Evil in the shape of a humanoid demon.
The interior is a representation of the triumph of Catholicism as true Christianity during the Counter-Reformation. The heavily indented chancel arch as well as the short side aisles and even the side chapels are designed as a triumphal arch to ancient model. A very deep choir room adjoins the mighty nave. The stucco decoration of the nave represents the life of Jesus Christ. The altarpiece 'Annunciation' was created by Peter Candid (1587). The sculpture of the holy angel in the nave from Hubert Gerhard (1595) was originally intended for the tomb of William V, which was not completed.
Having suffered severe damage during the Second World War, the church was restored in 1946-48. Finally, between 1980 and 1983, the stucco-work was restored.References:
Montparnasse Cemetery was created from three farms in 1824. Cemeteries had been banned from Paris since the closure, owing to health concerns, of the Cimetière des Innocents in 1786. Several new cemeteries outside the precincts of the capital replaced all the internal Parisian ones in the early 19th century: Montmartre Cemetery in the north, Père Lachaise Cemetery in the east, and Montparnasse Cemetery in the south. At the heart of the city, and today sitting in the shadow of the Eiffel Tower, is Passy Cemetery.
Montparnasse cemetery is the burial place of many of France's intellectual and artistic elite as well as publishers and others who promoted the works of authors and artists. There are also many graves of foreigners who have made France their home, as well as monuments to police and firefighters killed in the line of duty in the city of Paris.
The cemetery is divided by Rue Émile Richard. The small section is usually referred to as the small cemetery (petit cimetière) and the large section as the big cemetery (grand cimetière).
Although Baudelaire is buried in this cemetery (division 6), there is also a cenotaph to him (between division 26 and 27). Because of the many notable people buried there, it is a highly popular tourist attraction.