Silte Church dates from from the 13th century. During restorative work carried out in 1971-72, the remains of a stave church was however found under the floor of the presently visible church, pre-dating the present church with around one hundred years. The oldest part of the now visible stone church is the choir, dating from the middle of the century and in an early Gothic style. The nave is only slightly later, and apparently by the same workshop, while the tower seems to have been added at the end of the century.
The church is an almost unaltered medieval church. Unusually, even the window openings are original. These, as well as the portals, are decorated with stone dressings in alternating colours. The southern portal is also decorated with carved ornaments in Norse style. One of the choir windows contains some original stained glass window panes, dating from the time of the church's construction. Inside, the church is decorated with frescos from four different periods. The earliest date from the time of the church's construction, and are purely ornamental. On the western wall of the nave, a number of frescos from circa 1300 depict several saints. Next to these is a fresco depicting scenes from the Passion of Christ; these date from the middle of the 15th century. A final set of frescos, dated 1495, adorn the souther wall of the nave.
The church has two particularly noteworthy furnishings: the altarpiece and the baptismal font. The altarpiece is unique in its style on Gotland. Its outer wings are painted, and depict St. Michael, Mary and, on the back, the annunciation. These painting date from circa 1500. The central panel, by contrast, is decorated with wooden sculptures depicting the final judgement, and date from the 13th century. The baptismal font dates from the late 12th century and is thus older than the stone church. It was made by Master Sigraf, and is richly sculptured. Most other furnishings such as pews date from 1902, when a renovation was carried out. The pulpit is however from the middle of the 18th century.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.