Merano Municipal Museum has already been opened in 1900, it is one of the oldest museums of the province. In that period Franz Innerhofer (1847 - 1918), a physician of Merano, collected Gothic figurines and Baroque paintings of Tyrolean masters with passion. In this way he laid the foundations for the museum. First housed in the building of the English Ladies along the Winter Promenade, the Merano Municipal Museum was transferred several times. It was moved to the tavern Roter Adler in Via delle Corse road and in a final step to the newly renovated Palais Mamming behind the St Nicholas parish church in Merano. Therefor the Merano Municipal Museum is now also known as Palais Mamming Museum.
The permanent collection offers 27 sections and provides an overview of the historical development of the town, from prehistory up to modern art. What you can admire in the museum are the above mentioned Gothic and Baroque figurines and the Baroque paintings of Tyrolean masters, also known beyond borders. Moreover there are exhibits regarding the topics mineralogy and folk art, inculding various traditional costumes, and artworks by painters of Merano of the 19th and 20th century.
Also some exotic exhibits can be admired, including an Egyptian mummy, a death mask of Napoleon as well as a Sudanese weapons collection from the Austrian Major-General Rudolf Anton Carl, Baron of Slatin. One oft he most famous exhibits is also the 4th typewriter model by Peter Mitterhofer, the founder of typewriters, born in the village of Parcines, only a stone’s throw away.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.