The mediaeval greystone church is dedicated to St. Olav and was built in the 1450's. Long ago, Lemu was part of the great Nousiainen ancient parish, but parted to an independent administrative and ecclesiastical parish in the Middle Ages. When an episcopal church was erected in the old mother parish, a sanctuary consecrated to St. Olav was built also in Lemu.
First, a small wooden chapel was raised on Toijainen hill probably in the 13th century. An old crucifix and a baptismal font in the present church date back to those times. In the 14th century a small stone chapel was built and it now serves as the sacristy. In the 1430's an imposing mediaeval stone church was erected, partly by the wealth of the noblemen, partly by the toil of the peasants.
There are several curiosities in the church, such as - the only one of its kind in Finnish churches - the coat of arms of Mauno Särkilahti (Stjernkors), a painting of Martin Luther, an old Bible and a note of Marshal Mannerheim’s participation in confirmation. The years 1380, 1450 and 1959 are marked in the church banner. The altarpiece ”The Resurrection” by von Becker dates back to the year 1880.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.