Aboa Vetus & Ars Nova, Turku, Finland

Aboa Vetus (Old Turku) is a museum of archaeological history. Originally, plans were for only Ars Nova, the contemporary art museum, but during its construction a number of structures and artifacts dating back to the Middle Ages were discovered, and the archaeological excavation that was commissioned eventually transformed into Aboa Vetus. The two museums were combined in 2004.

The ruins excavated in the Convent Quarter originate from the Middle Ages. In the midst of these ruins, museum visitors progress through the permanent exhibition, which focuses on the 15th century. The artefacts on display originate from the excavations carried out in the town quarter where the museum actually sits.

Reference: Aboa Vetus & Ars Nova

User Reviews

Anna-Maria Heino (3 years ago)
A cozy little museum with some ruins of old Turku as well as modern art. Interesting place and even a good cafe. Museum shop is full of interesting, if not a tiny bit over prized stuff that has to do with modern arts and Turku. You should definitely consider visiting.

Emiel Mostert (3 years ago)
Turku is a town you should not miss. Art all over town and some great museums, this is one of them. Just go and enjoy.

Manuel Pereiras Torres (3 years ago)
The historical exhibition (Aboa Vetus) is good, but the Ars Nova now has just one exhibition in the first floor, and the other in the second floor is only pictures and texts about the history of the Palace that the museum was before(and I was expecting some modern art) . Also all the balconies were closed. So maybe is not the best time of the year to visit the museum

Bianca W (3 years ago)
This place is two museums in one! Downstairs, there are medieval ruins and exhibits on historic Finland, and upstairs you'll find a modern art gallery, and a river runs right through the building, which makes for an amazing café in between the two museum areas! The medieval ruins were re-discovered during excavations in 1995 and include a church and residential buildings with lots of information about the time period. Upstairs in the contemporary art gallery, exhibitions and installations are constantly changing. This one's well worth a visit!

Kai Kimppa (3 years ago)
The permanent exhibition changes from the museum’s own wide variety of art with the changing exhibitions, thus making both sides always worth seeing. The restaurant has one of the best lunches in the city, and if you take the full lunch, including a very filling salad table and Mbakery’s always interesting cakes you won’t leave hungry even if you came in so.

Featured Historic Landmarks, Sites & Buildings

Photo from Flickr, copyright Varvara_R

Historic Site of the week

Trinity Sergius Lavra

The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.

The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.

Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.

In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.

The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.

In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.

After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.

In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.

Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.

In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.

In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.

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