Turku Cathedral is the Mother Church of the Evangelical Lutheran Church of Finland, and the country's national shrine. It is the central church of the Archdiocese of Turku and the seat of the Archbishop of Finland. It is also regarded as one of the major records of Finnish architectural history.
The cathedral was originally built out of wood in the late 13th century, and was dedicated as the main cathedral of Finland in 1300, the seat of the bishop of Turku. It was considerably expanded in the 14th and 15th centuries, mainly using stone as the construction material.
During the 15th century, side-chapels were added along the north and south sides of the nave, containing altars dedicated to various saints. By the end of the Middle Ages these numbered 42 in total. The roof-vaults were also raised during the latter part of the 15th century to their present height of 24 meters. Thus, by the beginning of the Modern era, the church had approximately taken on its present shape. The major later addition to the cathedral is the tower, which has been rebuilt several times, as a result of repeated fires. The worst damage was caused by the Great Fire of Turku in 1827, when most of the town was destroyed, along with the interior of both the tower and the nave and the old tower roof. The present spire of the tower, constructed after the great fire, reaches a height of 101 meters above sea level, and is visible over a considerable distance as the symbol of both the cathedral and the city of Turku itself.
In the reformation the cathedral was taken by the Lutheran Church of Finland (Sweden). Most of the present interior also dates from the restoration carried out in the 1830s, following the Great Fire. The altarpiece, depicting the Transfiguration of Jesus, was painted in 1836 by the Swedish artist Fredrik Westin. The reredos behind the High Altar, and the pulpit in the crossing, also both date from the 1830s, and were designed by german architect Carl Ludvig Engel, known in Finland for his several other highly regarded works. The walls and roof in the chancel are decorated with frescos in the Romantic style by the court painter Robert Wilhelm Ekman, which depict events from the life of Jesus, and the two key events in the history of the Finnish Church: the baptism of the first Finnish Christians by Bishop Henry by the spring at Kupittaa, and the presentation to King Gustav Vasa by the Reformer Michael Agricola of the first Finnish translation of the New Testament.
The cathedral was badly damaged during the Great Fire of Turku in 1827, and was rebuilt to a great extent afterwards.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.