Turku castle is a national monument and one the most remarkable medieval castles in Finland. It's also one of the largest existing castles in Scandinavia. A history of Turku castle begins from the year 1280. The Swedish conquerors of Finland intended it originally as a military fortress.
During 15th and 16th centuries its defences were strengthened and living quarters were added. The castle served as a bastion and administrative centre in Finland. It was also a residence for kings of Sweden, when they visited in Finland. During the struggles for power of Sweden in 14th and 15th centuries Turku castle was several times under siege. Probably the longest one occured in 1364-65, when German lord Albrecht von Mecklenburg besieged it over eight months before Swedish troops surrounded.
The heyday of Turku Castle was in 1556-1563, when King John III of Sweden lived there. During this castle was enhanced to Renaissance fashioned living palace. John III married Polish princess Catherine Jagellon who also lived in Turku short period in 1562-1563. In 1614, when King Gustav II Adolf visited the castle, a tremendous fire destroyed the wooden structure of the main castle almost completely. After this the main castle was abandoned and used partly as a store, partly just stood empty. In the 19th century castle was used as a prison. The last accident beset the castle in the summer of 1941 soon after the Continuation War had begun when an incendiary bomb hit the main castle.
Today Turku castle is Finland's most visited museum, with attendance reaching 200,000 in some years. In addition, many of the larger rooms are used for municipal functions.
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.