Villa Trissino was mainly built in the 16th century and is associated by tradition with the architect Andrea Palladio. The building is of undeniable importance in the Palladio 'mythos'. Since 1994 the villa has been part of a World Heritage Site which was designated to protect the Palladian buildings of Vicenza and Veneto area.
It is uncertain whether this villa was designed by Palladio, but it is one of the centres if not, in fact, the origin of his myth. For, tradition holds that right here, in the second half of the 1530s, the Vicentine noble Giangiorgio Trissino (1478–1550) met the young mason Andrea di Pietro at work on the building of his villa. Somehow intuiting the youth’s potential and talent, Trissino took charge of his future formation, introduced him into the Vicentine aristocracy and, in the space of a few years, transformed him into the architect who bore the aulic name of Palladio.
Trissino did not demolish the pre-existing building, but redesigned it to give priority to the principal facade facing south. This gesture was a sort of manifesto of membership in the new constructional culture based on the rediscovery of ancient Roman architecture. Between the two existing towers Trissino inserted a two-storey, arcaded loggia. Trissino reorganised the spaces into a sequence of lateral rooms, which differ in dimensions but are linked by a system of inter-related proportions, a matrix which would become a key theme in Palladio’s design method.
Building works were certainly concluded by 1538. At the end of the eighteenth century the Vicentine architect Ottone Calderari heavily modified the structure, and in the first years of the twentieth century a second campaign of works cancelled out the last traces of the Gothic building by accomplishing its belated “Palladianisation”.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.