The Basilica di San Zeno name rests partly on its architecture and partly upon the tradition that its crypt was the place of the marriage of Shakespeare's Romeo and Juliet. It stands adjacent to a Benedictine abbey, both dedicated to St Zeno of Verona.
St. Zeno died in 380. According to legend, at a site above his tomb along the Via Gallica, the first small church was erected by Theodoric the Great, king of the Ostrogoths. Erection of the present basilica and associated monastery began in the 9th century, when Bishop Ratoldus and King Pepin of Italy attended the translation of the saint's relics into the new church. This edifice was damaged or destroyed by a Magyar invasion in the early 10th-century, at which time Zeno's body was moved to the Cathedral of Santa Maria Matricolare: on May 21, 921, it was returned to its original site in the crypt of the present church. In 967, a new Romanesque edifice was built by Bishop Raterius, with the patronage of Otto I, Holy Roman Emperor.
On January 3, 1117, the church, along with most of the city, was damaged by an earthquake; the church was restored and enlarged in 1138. Work was completed in 1398 with the reconstruction of the roof and of the Gothic-style apse.
Attached to the basilica is an abbey was erected in the 9th century over a pre-existing monastery. Of the original structure, destroyed in the Napoleonic Wars, only a large brick tower and the cloisters survive. It had originally another tower and the abbot's palace. For long time the abbey was the city's official residence of the Holy Roman Emperors. In the 1980s a restoration discovered frescoes from the 12th to 15th centuries.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.