Agiou Pavlou monastery is an Eastern Orthodox monastery in the monastic state of Mount Athos, located on the easternmost peninsula of Chalkidiki, Greece. The founder of monastery was Paul of Xeropotamou, after whom it is named.
The Monastery was founded in the late 10th to early 11th century by Saint Paul of Xeropotamou, also the founder of the Xeropotamou Monastery. Documents attest of its independence from Xeropotamou by 1035. The Monastery was initially dedicated to Saint George but early on took the name of its founder. Its dedication was later changed to the Presentation of Jesus Christ to the Temple.
Between 1355 and 1365, the Serbian nobleman Antonije Bagaš, together with Nikola Radonja, bought and restored the ruined monastery, becoming its abbott. The restoration of the monastery, supported by Radonja's brothers Vuk Branković and Grgur Branković, marked the beginning of the Serbian period of its history. On October 14, 1410, Serbian Despot Đurađ Branković donated Kuzmin to the monastery, as it was the wish of deceased Prince Lazar Hrebeljanović. Russian pilgrim Isaiah confirms that by the end of the 15h century the monastery was Serb.
In October 1845 Porphyrius Uspensky took 12 leaves of the Radoslav Gospel during his visit, which according to his opinion were the most valuable, and gave them to the Russian National Library in St. Petersburg. The rest of the leaves which remained in the monastery were lost.
The monastery ranks fourteenth in the hierarchy of the Athonite monasteries. Its library contains 494 manuscripts, and over 12,000 printed books.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.