Vienne Cathedral, dedicated to Saint Maurice, was the epicopal see of the primate of the ancient Septem Provinciae and of the Archdiocese of Vienne until its abolition confirmed by the Concordat of 1801. It today serves as co-cathedral of the Diocese of Grenoble-Vienne. The present-day building was erected from 1130 onwards.
Mentioned as the burial place of the Burgundian king Boso of Provence in 887, no traces are left from the former church buildings at the site. Construction works at Vienne Cathedral are documented under the tenure of Archbishop Léger from 1030 to 1070.
The construction of the preserved church was begun in a Late Romanesque style about 1130. Built over a long period, Gothic modifications and extensions were carried out until its consecration by Pope Innocent IV on 20 April 1251. From 1311, Pope Clement V convened the Council of Vienne, where the clergy resolved upon the dissolution of the Knights Templar. The facade was added in the 16th century, with the capstone ceremony held in 1529.
The present-day building is a basilica, with three aisles and an apse, but no ambulatory or transepts. The most striking portion is the west front, which rises majestically from a terrace overhanging the Rhône. However, the sculptural decoration was badly damaged by plundering Huguenot forces under Baron François de Beaumont in 1562, during the French Wars of Religion.
In the wake of the French Revolution, the Vienne archdiocese was dissolved and the former cathedral became a plain parish church, while the surrounding premises temporarily served as barns or barracks and eventually were demolished.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.