Vienne Cathedral, dedicated to Saint Maurice, was the epicopal see of the primate of the ancient Septem Provinciae and of the Archdiocese of Vienne until its abolition confirmed by the Concordat of 1801. It today serves as co-cathedral of the Diocese of Grenoble-Vienne. The present-day building was erected from 1130 onwards.
Mentioned as the burial place of the Burgundian king Boso of Provence in 887, no traces are left from the former church buildings at the site. Construction works at Vienne Cathedral are documented under the tenure of Archbishop Léger from 1030 to 1070.
The construction of the preserved church was begun in a Late Romanesque style about 1130. Built over a long period, Gothic modifications and extensions were carried out until its consecration by Pope Innocent IV on 20 April 1251. From 1311, Pope Clement V convened the Council of Vienne, where the clergy resolved upon the dissolution of the Knights Templar. The facade was added in the 16th century, with the capstone ceremony held in 1529.
The present-day building is a basilica, with three aisles and an apse, but no ambulatory or transepts. The most striking portion is the west front, which rises majestically from a terrace overhanging the Rhône. However, the sculptural decoration was badly damaged by plundering Huguenot forces under Baron François de Beaumont in 1562, during the French Wars of Religion.
In the wake of the French Revolution, the Vienne archdiocese was dissolved and the former cathedral became a plain parish church, while the surrounding premises temporarily served as barns or barracks and eventually were demolished.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.