The Musée Marc Chagall is dedicated to the work of painter Marc Chagall - essentially his works inspired by religion - located in Nice in the Alpes-Maritimes.
The museum was created during the lifetime of the artist and inaugurated in 1973. It houses the series of seventeen paintings illustrating the biblical message, painted by Chagall and offered to the French State in 1966. This series illustrates the books of Genesis, Exodus and the Song of Songs.
Chagall himself provided detailed instructions about the creation of the garden by Henri Fish, and decided the place of each of his works in the museum. The chronological order of the works was not followed. Chagall created the mosaic which overlooks the pond and the blue stained glasses that decorate the concert hall; he also wanted an annual exhibition to be held on a topic related to the spiritual and religious history of the world.
As the collection has grown, what was a museum illustrating the theme Biblical message has become a monographic museum dedicated to Chagall's works of religious and spiritual inspiration. In 1972, the artist gave the museum all the preparatory sketches of the Message Biblique as well as stained glass and sculptures, and in 1986, the museum acquired, in lieu of inheritance taxes, the complete drawings and gouaches painted to depict the Exodus and ten other paintings, which includes the triptych named Résistance, Résurrection, Libération. Other acquisitions complemented the museum's collections, which now has one of the largest collection of works by Marc Chagall.
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.