Saint-Michel Basilica, Menton, France

Saint-Michel Basilica is a Baroque jewel with its incredible exterior, the bell-tower, the coloured cobbles of the parvis arranged to form the Grimaldi’s coat of arms and the “rampes Saint-Michel” (a series of flights of stairs).

The construction of the Basilica begun in 1640 under the reign of Honoré II, but took several centuries to be completed. The façade was then renovated in the 19th Century adding typical decor of the period such as smooth columns with ionic and corinthian capitals.

References:

Menton Tourism

Religious sites in France

User Reviews

Richard Moore (3 years ago)
Such a great place, Italy is 1km away and you can feel it's influence

Meng Lee (3 years ago)
After our lunch, we went for a slow n relaxing stroll. The place was quiet and peaceful. While walking thru the street, you can see how the resident live in the building. The church was just there for everyone.

Monique Könning (4 years ago)
Beautiful basilique. A must see in the old town of Menton.

Christine & Andre Perrin (4 years ago)
Stunning architecture and views of Mediterranean Sea. To reach the Basilica, walked up several flights of stairs, where each landing had an in-layed stone design. Continued down pathways through several tenements. Fabulous!

Shaheen Alkhudhari (6 years ago)
It's beautiful during sunset to see the amazing colors and better to see it from the beachside to have a great view over the city and the church.

Featured Historic Landmarks, Sites & Buildings

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Palazzo Colonna

The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.

The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).

With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).

Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.

The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.

The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.

Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.

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