The Calvin Auditory (Auditoire de Calvin), originally the Notre-Dame-la-Neuve Chapel, played a significant role in the Protestant Reformation. It is associated with John Calvin, Theodore Beza and John Knox.
The auditorium lies directly adjacent to St. Pierre Cathedral in the Place de la Taconnerie. The austere Gothic-style building was constructed in the 15th century, on the site of earlier 5th-century religious buildings, and was originally dedicated to Notre-Dame-la-Neuve.
From 1536, the time of Geneva's Reformation, it became a lecture hall where Calvin actively expounded his reformed theology. In 1559, it served as the original home of the University of Geneva. Once Geneva accepted the Reformation, it became a haven for Protestant refugees from all over Europe, and Calvin gave this building over for them to worship in their own language. It was also used by the Scottish reformer John Knox, during his exile in Geneva in the 1550s. Here he ministered to an English-speaking refugee congregation and developed many of the ideas that were to be influential in the Scottish Reformation. Subsequently, it became a place used by numerous Protestant refugee groups including Italian Waldensians, Dutch Reformed and Scottish Presbyterians. It is viewed by many Reformed churches throughout the world as a crucible of their faith.
Over the years, the building deteriorated. In 1954, the World Alliance of Reformed Churches reached an agreement with the National Protestant Church of Geneva and launched a programme to restore the auditorium, which was completed in 1959.
Today, following in the tradition established by Calvin, the Auditoire is still used for worship in languages other than French. It hosts congregations of the Dutch Reformed Church and Italian Reformed Church, as well as being used by a congregation of the Church of Scotland as its main place of worship every Sunday.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.