The Rietberg Museum in Zürich displays Asian, African, American and Oceanian art. It is the only art museum of non-European cultures in Switzerland, the third-largest museum in Zürich, and the largest to be run by the city itself.
The Rietberg Museum is situated in the Rieterpark in central Zürich, and consists of several historic buildings: the Wesendonck Villa, the Remise (or 'Depot'), the Rieter Park-Villa, and the Schönberg Villa. In 2007 a new building designed by Alfred Grazioli and Adolf Krischanitz was opened – the addition of this largely subterranean building, known as 'Smaragd', more than doubled the museum's exhibition space.
In the early 1940s the city of Zürich purchased the Rieterpark and the Wesendonck Villa. In 1949 the Wesendonck Villa was selected, by referendum, to be rebuilt into a museum for the Baron Eduard von der Heydt's art collection, which he had donated to the city in 1945. This was carried out in 1951-52 under the architect Alfred Gradmann. The Rietberg Museum was opened on 24 May 1952. Until 1956 the director was Johannes Itten, the Swiss expressionist painter.
In 1976 the city acquired the Schönberg Villa, which had been threatened with demolition, and opened it in 1978 as an extension of the museum. Today the Villa is also home to an extensive non-lending library administrated by the museum.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.