Surpierre castle was a bailiff's castle in the Canton of Fribourg. In the 12th century there was a fort at Surpetra, though whether that was at the current castle site or another nearby location is unknown. The fief of Surpierre was owned by a noble family of the same name from 1142 until 1233. In the 13th century the de Cossonay family owned Surpierre and a number of surrounding villages. In the late 13th century a small castle was built on the site of the current one. A few elements of this castle were incorporated into the modern castle, including a square tower and the pointed arch windows in the chapel. By 1344 there was a small fortified village on the hill by the castle. During the 14th and 15th centuries the castle passed through a number of different owners. In 1476 and again in 1539 the castle was severely damaged in fires.
In 1536 the cantons of Bern, Fribourg and Valais invaded Vaud and defeated the Savoyard forces. On 21 February 1536 Surpierre was captured by Bern, who then gave it to Fribourg on 1 March, creating a small exclave. Under Fribourg's rule, a bailiff was appointed and granted authority over the land around Surpierre. The castle was rebuilt into a home for the Fribourg bailiff. In 1544 the castle was damaged in a fire, and the Fribourg authorities decided to rebuild it from its medieval design into an imposing government center and a comfortable home for the bailiff. Several additional buildings were added to the complex and an ornate main gate was added. A drawbridge was added over the dry moat and gardens were built around the castle. Over the following centuries, the Fribourg appointed bailiffs ruled over the exclave.
In 1848 the little Fribourg exclave became part of the Broye District and the district purchased the castle. Two years later, in 1850, it was acquired by the Marseille merchant Victor-Henri Leenhart-Imer. After passing through several owners, in 1951 Max Bürki bought it from the Delpech family.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.