Built by the Crown of Aragon on the site of a Moorish-era mosque, Palma cathedral is 121 metres long, 55 metres wide and its nave is 44 metres tall.
Designed in the Catalan Gothic style but with Northern European influences, it was begun by King James I of Aragon in 1229 but only finished in 1601. It sits within the old city of Palma atop the former citadel of the Roman city, between the Royal Palace of La Almudaina and the episcopal palace. It also overlooks the Parc de la Mar and the Mediterranean Sea.
Light pours in through the rose window - one of the world's largest, 12m across and studded with 1,236 pieces of stained glass. The columns are ringed with wrought-iron candelabra designed by Gaudi. His most controversial addition is the unfinished Crown of Thorns, fashioned from cardboard and cork and suspended above the altar. Be sure to walk around to the south front, facing the sea, to look at the Portal del Mirador a 15th-century door by Guillem Sagrera featuring scenes from the Last Supper.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.