Construction of the Brescia New Cathedral, Duomo Nuovo, was begun in 1604 at the site where the paleo-Christian 5th-6th century basilica of San Pietro de Dom was located. The original commission was given to Andrea Palladio, but the commission was subsequently granted to the architect Giovanni Battista Lantana. He was aided by Pietro Maria Bagnadore. Work was interrupted during a season of plague around 1630.
Work slowly but sporadically restarted on the construction, but the final impetus for completion came in the nineteenth century. The facade was designed by Giovanni Battista and Antonio Marchetti, while the dome, completed only in 1825, was designed by Luigi Cagnola and with its 80 meters is one of the highest in Italy.
The present dome was rebuilt after destruction during the Second World War. The facade contains statues of the Virgin of the Assumption and Saints Peter, Paul, James, and John.
Among the interior works of art are a scenes from the life of the Virgin by Girolamo Romanino (Marriage, Visitation, and Birth) and a Sacrifice of Isaac by Moretto da Brescia.
The interior contains a monument to the famous Brescian, the Pope Paul VI, found on the left transept. The statue (1975) is a work by Raffaele Scorzelli. The imposing Baroque church towers over the small round and rustic Romanesque church of the Old Cathedral of Brescia (Duomo Vecchio).
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.