San Giorgio Church at the site is documented since 775. In 1218, Franciscan friars erected a nearby monastery and were in possession of the church. But by 1254, they had moved to the convent and church of San Francesco. By 1429, this parish church was in a dilapidated state, and a major restoration, including present facade occurred in 1639.
An inventory of works in 1826 noted to right of nave an oil painting depicting a Nativity, by Giovita Bresciano, a pupil of Lattanzio Gambara. The main altarpiece depicted was by a young Gandini and two side-panels depicting St George and the Dragon and a Martyrdom of St George by Pompeo Ghitti.
In addition, in the chapels on the left of the nave, there was a Virgin with Saints Francis of Paola and Leonard, by Giovanni Battista Pittoni. A canvas depicting Vigin with Francis of Sales and St Catherine was attributed to Domenico Carretti. A Sacred Heart of Jesus was attributed to Antonio Dusi. A Dead Christ with St Charles is attributed to Savani. In the sacristy are some frescoes from the original romanesque church. Saint George and the Princess by Cicognara also originated in the church.
The church also contains 13th century frescoes including a Christ Pantocrater. The nave ceiling was decorated by Pietro Sorisene and Pompeo Ghitti with architectural decoration by Agostino Avanzo. The apse ceiling has a depiction of the Seven Angels of the Apocalypse by Ottavio Amigoni. The exterior of the apse still betrays the Romanesque architecture of the original church.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.