Saint-Bertrand-de-Comminges Cathedral was originally built in the 12th century in Romanesque style. Over the northern and southern walls there are still Romanesque arches, the floor is made of marble and includes some tombs and sepulchurs. The cloister is also clearly Romanesque and offers an impressive view over the entire valley.
The Gothic part is built in the Meridional Gothic style. There is a single nave that is 55m long, 16m wide and 28m high. Over the arrow arches there are the coats of arms of the founding bishops. The stained glass windows are impressive with their intricate details, almost comparable to those of Auch.
The stalls within the choir were commissioned by Jean de Mauléon but because of the lack of documents it is impossible to name the artist that made them, although, by comparison with other stalls, these are often considered to be the work of Nicolas Bachelier, or rather, of his school which had been using artists from France, Spain and Italy. Most of the work was done in oak and walnut tree, and the choir seems to be separate from the rest of the church in that it contrasts so much with the Gothic and Romanesque parts.
The sixty-seven stalls represent characters from both the Old and the New Testaments.
Bizarrely, there is a stuffed crocodile inside the cathedral. This fact, as well as a general description of the cathedral itself and details of its history, features prominently in Canon Alberic's Scrap-Book, a ghost story by M. R. James.
The former cathedral has been listed as a UNESCO World Heritage Site as part of the World Heritage Sites of the Routes of Santiago de Compostela in France.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.