Medieval Hum town was first mentioned in 1102 in the deed of gift by Marquis Ulrich II. The passage through the early 12th century double entrance gates, and then this one from 1562 leads us into the square. The exceptionally small area has all town features: the town loggia, nobility and folk houses, and the parish church with the priest residence.
The castle was located on the site of the current Church of the Assumption of the Blessed Virgin Mary (erected in 1802) on the highest point of the town, which allowed its control of the surrounding area. Rectangular in shape, 30 x 35 meters (typical dimensions of the time) and connected by two streets with the twin town gates, which facilitated better communication and protection. The castle was entered from the inside, from the town. Despite its basic defensive purpose, in the earlier era it was a seat of its owners – the feudal lords under the Patriarch of Aquileia.
Ever since the prehistoric times until the ruins of the Venetians in 1797, Hum was a defensive border town, full of life, conflicts, different rulers, war and peace. From the antiquity to the Late Middle Ages, it was used as a defensive castle of an estate. Often destroyed and renovated, it finally fell under the Venetian rule in 1412, which restored it completely to defend its own borders. Its most probable final fall occurred during the Uskok War (1612-1618), when the entire town was burned down and the castle was never renovated. Its stone was gradually being taken for building houses. Any trace of it was finally lost following the erection of the church.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.