The Gütsch is a hill in the west of the city of Lucerne. A long time ago guard fires burned here to warn the city in times of war or other dangers. The Gütsch Tower was built in 1590 as the end point of the city fortifications and remained in existence until a fire in 1888. In 1859 Burkhard Pfyffer bought the land from the town and was granted the right to run an inn on the Gütsch. The inn was bought by Ignaz Businger in 1879 and expanded into a hotel. With the construction of the Gütschbahn in 1884, it became easier for guests to reach the hotel. 

A large part of the hotel was completely destroyed in the great fire of 1888. In 1901 the hotel received its present fairytale castle appearance with towers and oriels. During the First World War and until 1921 the Hotel Gütsch remained closed. During the Second World War it had to perform military service and accommodated in turn refugees, returning emigrants, and prisoners of war.

In 2010 the city of Lucerne granted the new owner Alexander Lebedev permission to extend and renovate the hotel and in 2014 the hotel reopened its doors after a thorough renovation. The last renovations in 2014 focused particularly on the preservation of historical details such as ceiling stucco, wood carvings, parquet floors, and hand-painted wood panelling. English interior designer Martyn Lawrence Bullard has been successful in Château Gütsch back its historic charm while enriching it with all the modern amenities that discerning hotel guests expect. 

Over the last 130 years, our Château Gütsch has experienced an exciting history, accommodating famous guests including kings and queens, diplomats, world stars and, of course, the citizens of the city of Lucerne.

It was purchased by Russian businessman Evgeny Lebedev in 2012, who turned it into a luxury hotel-restaurant.

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Founded: 1859-1901
Category: Palaces, manors and town halls in Switzerland

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Saint-Eustache

The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.

The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.

According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.

The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.

The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.

With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.