El Teatro Romano is the oldest survived monument in Málaga City; it is situated at the foot of the famous Alcazaba fortress. The theatre was built in the first century BC, under Emperor Augustus, and was used until the third century AD. Subsequently it was left to ruin for centuries, until the Moors settled in Andalucía. In 756-780AD the amphitheatre was used as a quarry by the Moorish settlers , to excavate the stone used to build the Alcazaba fortress - you can see some Roman columns and capitals in the fortress. Over time it became buried under dirt and rubble, and remained hidden there for almost five centuries.
The theatre was rediscovered in 1951, when the construction of Casa de Cultura uncovered the first archaeological clues. The construction of the gardens was abandoned, and instead excavations began. In 1995 a polemic decision was made to demolish the Casa de la Cultura, which stood over a third of the site. Once the site had been fully excavated, a large scale restoration project began, which proved more difficult than anticipated, as many of the missing pieces are now part of the foundations of the neighbouring Alcazaba.
On 15 September 2011, 27 years after reconstruction began, El Teatro Romano reopened to the public, and held its first stage performances for millenia, with performances from Andrés Mérida, Daniel Casares, and Carlos Álvarez, reading from Juvenal Soto and the poetry of Pablo Picasso and Manuel Alcántara. The amphitheatre is now open throughout the year for visitors, and in summer, it will be used for open-air performances. It seats 220 spectators.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.