Construction of the Brescia New Cathedral, Duomo Nuovo, was begun in 1604 at the site where the paleo-Christian 5th-6th century basilica of San Pietro de Dom was located. The original commission was given to Andrea Palladio, but the commission was subsequently granted to the architect Giovanni Battista Lantana. He was aided by Pietro Maria Bagnadore. Work was interrupted during a season of plague around 1630.
Work slowly but sporadically restarted on the construction, but the final impetus for completion came in the nineteenth century. The facade was designed by Giovanni Battista and Antonio Marchetti, while the dome, completed only in 1825, was designed by Luigi Cagnola and with its 80 meters is one of the highest in Italy.
The present dome was rebuilt after destruction during the Second World War. The facade contains statues of the Virgin of the Assumption and Saints Peter, Paul, James, and John.
Among the interior works of art are a scenes from the life of the Virgin by Girolamo Romanino (Marriage, Visitation, and Birth) and a Sacrifice of Isaac by Moretto da Brescia.
The interior contains a monument to the famous Brescian, the Pope Paul VI, found on the left transept. The statue (1975) is a work by Raffaele Scorzelli. The imposing Baroque church towers over the small round and rustic Romanesque church of the Old Cathedral of Brescia (Duomo Vecchio).References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.