Construction of the Brescia New Cathedral, Duomo Nuovo, was begun in 1604 at the site where the paleo-Christian 5th-6th century basilica of San Pietro de Dom was located. The original commission was given to Andrea Palladio, but the commission was subsequently granted to the architect Giovanni Battista Lantana. He was aided by Pietro Maria Bagnadore. Work was interrupted during a season of plague around 1630.
Work slowly but sporadically restarted on the construction, but the final impetus for completion came in the nineteenth century. The facade was designed by Giovanni Battista and Antonio Marchetti, while the dome, completed only in 1825, was designed by Luigi Cagnola and with its 80 meters is one of the highest in Italy.
The present dome was rebuilt after destruction during the Second World War. The facade contains statues of the Virgin of the Assumption and Saints Peter, Paul, James, and John.
Among the interior works of art are a scenes from the life of the Virgin by Girolamo Romanino (Marriage, Visitation, and Birth) and a Sacrifice of Isaac by Moretto da Brescia.
The interior contains a monument to the famous Brescian, the Pope Paul VI, found on the left transept. The statue (1975) is a work by Raffaele Scorzelli. The imposing Baroque church towers over the small round and rustic Romanesque church of the Old Cathedral of Brescia (Duomo Vecchio).
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.