San Giorgio Church at the site is documented since 775. In 1218, Franciscan friars erected a nearby monastery and were in possession of the church. But by 1254, they had moved to the convent and church of San Francesco. By 1429, this parish church was in a dilapidated state, and a major restoration, including present facade occurred in 1639.
An inventory of works in 1826 noted to right of nave an oil painting depicting a Nativity, by Giovita Bresciano, a pupil of Lattanzio Gambara. The main altarpiece depicted was by a young Gandini and two side-panels depicting St George and the Dragon and a Martyrdom of St George by Pompeo Ghitti.
In addition, in the chapels on the left of the nave, there was a Virgin with Saints Francis of Paola and Leonard, by Giovanni Battista Pittoni. A canvas depicting Vigin with Francis of Sales and St Catherine was attributed to Domenico Carretti. A Sacred Heart of Jesus was attributed to Antonio Dusi. A Dead Christ with St Charles is attributed to Savani. In the sacristy are some frescoes from the original romanesque church. Saint George and the Princess by Cicognara also originated in the church.
The church also contains 13th century frescoes including a Christ Pantocrater. The nave ceiling was decorated by Pietro Sorisene and Pompeo Ghitti with architectural decoration by Agostino Avanzo. The apse ceiling has a depiction of the Seven Angels of the Apocalypse by Ottavio Amigoni. The exterior of the apse still betrays the Romanesque architecture of the original church.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.