Classical Weimar

Goethe House

The Goethe House is the main house where poet Johann Wolfgang von Goethe lived in Weimar, though he did live in several others in the town. Goethe House is one of sites in a UNESCO World Heritage Site consisting of multiple structures related to Weimar Classicism. Johann Wolfgang Goethe lived in the house on Frauenplan for 50 years until his death in 1832, apart from his journeys and a lengthy stay in Italy. He first mov ...
Founded: 1709 | Location: Weimar, Germany

Schloss Weimar

Schloss Weimar was the residence of the dukes of Saxe-Weimar and Eisenach, and has also been called Residenzschloss. It is part of the UNESCO World Heritage Site 'Classical Weimar'. In history, the palace was often destroyed by fire. The Baroque palace from the 17th century, with the church Schlosskirche where several works by Johann Sebastian Bach were premiered, was replaced by a Neoclassical structure after ...
Founded: 1619 | Location: Weimar, Germany

Schiller Residence

Friedrich Schiller purchased the house where today is known as Schillerstrasse in Weimar for himself and his family in 1802. The house was originally built in 1777. He had to go deep into debt to finance the purchase. The family lived in the house until Charlotte von Schiller’s death in 1826. It became municipal property in 1847, and in the same year also became the first publicly accessible memorial to a poet in Ge ...
Founded: 1777 | Location: Weimar, Germany

St. Peter and Paul Church

The church St. Peter und Paul in Weimar, also known as Herderkirche after Johann Gottfried Herder, is the most important church building of the town. The first church was built on the same location from 1245 to 1249, but destroyed by fire in 1299. Only the foundations remain. The second building was badly damaged in the 1424 town fire. The present building dates back to the a hall church in late Gothic style, built betwee ...
Founded: 1498-1500 | Location: Weimar, Germany

Ducal Vault

Weimar’s Ducal Vault is not a typical burial place for a royal family. Since 1832, the members of the House of Saxe-Weimar-Eisenach have shared their tomb with the two most famous poets of Weimar classicism, Johann Wolfgang von Goethe and Friedrich Schiller. As a result, the mausoleum has been a popular site of veneration for the poets ever since the mid-19th century. The construction of the Ducal Vault was commiss ...
Founded: 1823-1828 | Location: Weimar, Germany

Park an der Ilm

The 48-hectare landscaped park on the edge of Weimar’s old town is part of a kilometre-long stretch of green along the Ilm. It was laid between 1778 and 1828 and features both sentimental, classical and post-classical/romantic styles. The creation of the park on the Ilm river is closely linked with Goethe’s life and work in Weimar. In 1776, Duke Carl August gave the poet a small house with a garden, today kno ...
Founded: 1778-1828 | Location: Weimar, Germany

Schloss Belvedere

Belvedere Castle stands on a hill at the south of Weimar and is surrounded by 43 hectares of parkland. Duke Ernst August of Saxe-Weimar-Eisenach had a Baroque summer residence including an orangery, pleasure garden and labyrinth built here between 1724 and 1748. Since 1923, Belvedere Castle has been used as a museum of 18th century crafts. The castle, which originally served as a hunting lodge, is surrounded by stables w ...
Founded: 1724-1748 | Location: Weimar, Germany

Duchess Anna Amalia Library

The Duchess Anna Amalia Library in Weimar houses a major collection of German literature and historical documents. The library contains 1,000,000 books, 2,000 medieval and early modern manuscripts, 600 ancestral registers, 10,000 maps etc. The research library today has approximately 850,000 volumes with collection emphasis on the German literature. Among its special collections is an important Shakespeare collection of a ...
Founded: 1761 | Location: Weimar, Germany

Ettersburg Castle and Park

Ettersburg Castle lies on the edge of the forest on the northern side of the Grosse Ettersberg. This woodland has been the hunting ground for the Dukes of Weimar since the 17th century. Duke Wilhelm Ernst started building the castle at the beginning of the 18th century; the work was completed by his nephew Ernst August. From 1776 to 1780, the Dowager Duchess Anna Amalia of Saxe-Weimar-Eisenach held her summer court in Ett ...
Founded: 1706 | Location: Ettersburg, Germany

Tiefurt Mansion and Park

Built in 1765 as a tenement house for a grand ducal demesne, Schloss Tiefurt served from 1776 as the residence of Prince Friedrich Ferdinand Constantin, the younger brother of the reigning Duke Carl August of Saxe-Weimar-Eisenach. After the expansion of the tenement house to a country mansion, he and his tutor Karl Ludwig von Knebel designed a landscaped park in English style. Meandering paths were laid together with the ...
Founded: 1776 | Location: Weimar, Germany

Wieland Estate

The Ossmannstedt estate is closely linked with the name of Christoph Martin Wieland (1733-1813). The poet purchased the Baroque complex of buildings and park in 1797 and lived there with his family for six years (see Wieland estate in Ossmannstedt). Even in Wieland’s day, very little of the original Baroque garden remained, as the previous owners had used the three terraces sloping down to the river Ilm for agricult ...
Founded: 1797 | Location: Oßmannstedt, Germany

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Royal Palace of Aranjuez

Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.

After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.

Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.

The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.

The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.

Real Casa del Labrador

As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.

King's Garden, the Island Garden, Parterre Garden and the Prince's Garden

Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.

Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.

The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.