Weimar’s Ducal Vault is not a typical burial place for a royal family. Since 1832, the members of the House of Saxe-Weimar-Eisenach have shared their tomb with the two most famous poets of Weimar classicism, Johann Wolfgang von Goethe and Friedrich Schiller. As a result, the mausoleum has been a popular site of veneration for the poets ever since the mid-19th century.
The construction of the Ducal Vault was commissioned by the Grand Duke Carl August and was built between 1823 and 1828 on the grounds of the Historic Cemetery, which had been established a few years earlier in 1818. The architect Clemens Wenzeslaus Coudray was in charge of overseeing the work on the Ducal Vault. Following the construction of the inner crypt, the sarcophagi of the ducal family, which were rescued from the flames when the City Castle burned to the ground in 1774, were transferred to the Ducal Vault. The first interment occurred on 16 December 1827 with the reburial of the alleged remains of Friedrich Schiller. Carl August died on 14 June 1828 before construction of the vault was completed. On 26 March 1832 Johann Wolfgang Goethe was laid to rest in the vault next to Schiller’s casket. By 1905 another 14 people had been buried there. After workers broke through the foundation wall separating the Ducal Vault and the Russian Orthodox Chapel, built in 1862, the grand ducal couple Maria Pavlovna and Carl Friedrich were reunited in death, each buried under the buildings of their religious beliefs.
A short time later, Augusta, the queen of Prussia, provided funds to remodel the interior of the chapel to reflect the historic affinity of the time.From 1952 to 1994, the official name of the ducal family’s vault was the »Goethe and Schiller Mausoleum«. In 1993/94, the vault underwent extensive renovation which reversed the alterations carried out in the previous decades. The chapel itself was remodeled in 2011.
The Ducal Vault is regarded today as one of the major works of classical architecture in Thuringia. The square, two-story structure is abutted by a Doric portico. When visitors enter the building, they find themselves in the chapel which features neoclassical artwork, a star-spangled dome over an oval opening in the floor and original interior furnishings dating back to the age of Empress Augusta. An especially new addition to the chapel is the large-format Bible presented in the altar vitrine. To the left of the entrance, a narrow staircase descends to the vault below containing the caskets of the poets and ducal family. Coudray arranged the caskets chronologically based on the date of death, starting with Duke Wilhelm IV (1598 -1662) at the north wall. The monumental bronze sarcophagus of Carl August lies along the main axis below the altar. A total of 43 caskets had been stored in the vault until 1994 when ten caskets of members of the ducal family had to be removed for conservational reasons. As part of a research project in 2008, scholars discovered that the remains inside Friedrich Schiller’s casket belonged to those of several individuals. Therefore, Friedrich Schiller’s casket is now empty.References:
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.