The church St. Peter und Paul in Weimar, also known as Herderkirche after Johann Gottfried Herder, is the most important church building of the town. The first church was built on the same location from 1245 to 1249, but destroyed by fire in 1299. Only the foundations remain. The second building was badly damaged in the 1424 town fire. The present building dates back to the a hall church in late Gothic style, built between 1498 and 1500. The choir served as the burial place of members of nobility of the House of Wettin in the Ernestine duchies. The church has been Lutheran since 1525, and Martin Luther gave sermons there.
Towards the end of the Second World War, the church was severely damaged by bombing on 9 February 1945. The pitched roof and the wooden vaults were largely destroyed, the remaining stone vaults in the eastern portions collapsed. The entire interior was badly affected. The church was opened again after reconstruction on 14 June 1953. The repair and restoration of the interior was performed until 1977. The church is part of the World Heritage Site Classical Weimar, together with eleven other sites.
Not much is left of the original Gothic interior, the baptismal font, the stairs to the pulpit and parts of a mural of St. Ursula. The remarkable triptych image of the city was begun by Lucas Cranach the Elder in 1552/53, shortly before his death, and completed in 1555 by his son Lucas Cranach the Younger. It is regarded as a major work of art of the 16th century in Saxony and Thuringia.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.