The Duchess Anna Amalia Library in Weimar houses a major collection of German literature and historical documents. The library contains 1,000,000 books, 2,000 medieval and early modern manuscripts, 600 ancestral registers, 10,000 maps etc. The research library today has approximately 850,000 volumes with collection emphasis on the German literature. Among its special collections is an important Shakespeare collection of approximately 10,000 volumes, as well as a 16th-century Bible connected to Martin Luther. The Duchess Anna Amalia Library is named for Anna Amalia, Duchess of Saxe-Weimar-Eisenach, who arranged in 1766 for the courtly book collection to be moved into the library.
The main building is the Green Castle (Grünes Schloss), Anna's residence, which had been built between 1562 and 1565. The architect was Nikolaus Gromann. The dowager Duchess had the building converted into a library in 1761. The Duchess, seeking a tutor for her son Duke Carl August, hired Christoph Martin Wieland, an important poet and noted translator of William Shakespeare. Wieland's Shakespeare volumes formed the core of the collection. From an architectural standpoint, the library is world famous for its oval Rococo hall featuring a portrait of Grand Duke Carl August.
One of the library's most famous patrons was Johann Wolfgang von Goethe, who worked there from 1797 to 1832. The library also includes the world's largest Faust collection. The Duchess's significant 13,000-volume music collection is also available in the library.
In World War II, most of the collection was housed elsewhere to preserve it from Allied bombing. Today, the library is a public research library for literature and art history. The main focus is German literature from the Classical and the late Romantic eras.
The library is part of the UNESCO World Heritage Site entitled 'Classic Weimar', which, as unique testimony to the cultural epoch of Weimar Classic, reflects the outstanding role of Weimar as an intellectual centre in the late 18th and early 19th century.References:
Sweetheart Abbey was a Cistercian monastery, founded in 1275 by Dervorguilla of Galloway in memory of her husband John de Balliol. His embalmed heart, in a casket of ivory and silver, was buried alongside her when she died; the monks at the Abbey then renamed the Abbey in tribute to her. Their son, also John, became king of Scotland but his reign was tragic and short. The depredations suffered by the Abbey in subsequent periods, have caused both the graves to be lost. The abbey, built in deep-red, local sandstone, was founded as a daughter house to Dundrennan Abbey; this Novum Monasterium (New Monastery), became known as the New Abbey.
The immediate abbey precincts extended to 120,000 m2 and sections of the surrounding wall can still be seen today. The Cistercian order, also known as the White Monks because of the white habit, over which they wore a black scapular or apron, built many great abbeys after their establishment around 1100. Like many of their abbeys, the New Abbey's interests lay not only in prayer and contemplation but in the farming and commercial activity of the area, making it the centre of local life. The abbey ruins dominate the skyline today and one can only imagine how it and the monks would have dominated early medieval life as farmers, agriculturalists, horse and cattle breeders. Surrounded by rich and fertile grazing and arable land, they became increasingly expert and systematic in their farming and breeding methods. Like all Cistercian abbeys, they made their mark, not only on the religious life of the district but on the ways of local farmers and influenced agriculture in the surrounding areas.
The village which stands next to the ruins today, is now known as New Abbey. At the other end of the main street is Monksmill, a corn mill. Although the present buildings date from the late eighteenth century, there was an earlier mill built by and for the monks of the abbey which serviced the surrounding farms.