The National Museum of Finland presents Finnish history from the Stone Age to the present day, through objects and cultural history. The permanent exhibitions of the National Museum are divided into six parts. The Treasure Troves presents the collections of coins, medals, orders and decorations, silver, jewellery and weapons. Prehistory of Finland is the largest permanent archeological exhibition in Finland. The Realm presents of the development of Finnish society and culture from the Middle Ages 12th century to the early 20th century, through the Swedish Kingdom Period to the Russian Empire Era. The "Land and Its People" presents Finnish folk culture in the 18th and 19th centuries, life in the countryside before the industrialisation.
Workshop Vintti - Easy History, is an interactive exhibition, where visitors can study the history of Finland and its culture using their hands and brains. It is based on experimentation and personal experience, and the tasks and assignments also point the way to exploring the permanent exhibitions of the museum.
The museum's entrance hall ceiling has ceiling frescoes in the national epic Kalevala theme, painted by Akseli Gallén-Kallela, which can be seen without an entrance fee. The frescoes, painted in 1928, are based on the frescoes painted by Gallén-Kallela in the Finnish Pavilion of the Paris World Fair in 1900.
The building of the National Museum was designed by architects Herman Gesellius, Armas Lindgren, and Eliel Saarinen. The appearance of the building reflects Finland's medieval churches and castles. The architecture belongs to national romanticism and the interior mainly to art nouveau. The museum was built from 1905 to 1910 and opened to the public in 1916. The museum was named the Finnish National Museum after Finland's independence in 1917.References:
The Church of Our Lady before Týn is a dominant feature of the Old Town of Prague and has been the main church of this part of the city since the 14th century. The church's towers are 80 m high and topped by four small spires.
In the 11th century, this area was occupied by a Romanesque church, which was built there for foreign merchants coming to the nearby Týn Courtyard. Later it was replaced by an early Gothic Church of Our Lady before Týn in 1256. Construction of the present church began in the 14th century in the late Gothic style under the influence of Matthias of Arras and later Peter Parler. By the beginning of the 15th century, construction was almost complete; only the towers, the gable and roof were missing. The church was controlled by Hussites for two centuries, including John of Rokycan, future archbishop of Prague, who became the church's vicar in 1427. The roof was completed in the 1450s, while the gable and northern tower were completed shortly thereafter during the reign of George of Poděbrady (1453–1471). His sculpture was placed on the gable, below a huge golden chalice, the symbol of the Hussites. The southern tower was not completed until 1511, under architect Matěj Rejsek.
After the lost Battle of White Mountain (1620) began the era of harsh recatholicisation (part of the Counter-Reformation). Consequently, the sculptures of 'heretic king' George of Poděbrady and the chalice were removed in 1626 and replaced by a sculpture of the Virgin Mary, with a giant halo made from by melting down the chalice. In 1679 the church was struck by lightning, and the subsequent fire heavily damaged the old vault, which was later replaced by a lower baroque vault.
Renovation works carried out in 1876–1895 were later reversed during extensive exterior renovation works in the years 1973–1995. Interior renovation is still in progress.
The northern portal is a wonderful example of Gothic sculpture from the Parler workshop, with a relief depicting the Crucifixion. The main entrance is located on the church's western face, through a narrow passage between the houses in front of the church.
The early baroque altarpiece has paintings by Karel Škréta from around 1649. The oldest pipe organ in Prague stands inside this church. The organ was built in 1673 by Heinrich Mundt and is one of the most representative 17th-century organs in Europe.