The National Museum of Finland, Helsinki, Finland

The National Museum of Finland presents Finnish history from the Stone Age to the present day, through objects and cultural history. The permanent exhibitions of the National Museum are divided into six parts. The Treasure Troves presents the collections of coins, medals, orders and decorations, silver, jewellery and weapons. Prehistory of Finland is the largest permanent archeological exhibition in Finland. The Realm presents of the development of Finnish society and culture from the Middle Ages 12th century to the early 20th century, through the Swedish Kingdom Period to the Russian Empire Era. The "Land and Its People" presents Finnish folk culture in the 18th and 19th centuries, life in the countryside before the industrialisation.

Workshop Vintti - Easy History, is an interactive exhibition, where visitors can study the history of Finland and its culture using their hands and brains. It is based on experimentation and personal experience, and the tasks and assignments also point the way to exploring the permanent exhibitions of the museum.

The museum's entrance hall ceiling has ceiling frescoes in the national epic Kalevala theme, painted by Akseli Gallén-Kallela, which can be seen without an entrance fee. The frescoes, painted in 1928, are based on the frescoes painted by Gallén-Kallela in the Finnish Pavilion of the Paris World Fair in 1900.

The building of the National Museum was designed by architects Herman Gesellius, Armas Lindgren, and Eliel Saarinen. The appearance of the building reflects Finland's medieval churches and castles. The architecture belongs to national romanticism and the interior mainly to art nouveau. The museum was built from 1905 to 1910 and opened to the public in 1916. The museum was named the Finnish National Museum after Finland's independence in 1917.

References:

Wikipedia

User Reviews

Bogdan Olteanu (19 days ago)
The National Museum of Finland is one of the most organized and interactive museums of this kind that I have visited in Europe, with a precise and truthful storyline from the prehistoric age to current days. It is very interesting to see an unbiased exhibition, showcasing both the boom periods and the downturns, including the natural, political or economic reasons that lead to them. The museum has different interactive areas, with up-to-date technologies. I highly recommend a visit during the stay in Helsinki.

Cem Ertem (2 months ago)
Loved it. An interactive museum experience about finish culture and history. Nice building, helpful staff. More than 2 hours should be spend on. Worth its admission cost.

Nenuphar Blanc (2 months ago)
Beautiful and historical building in the centre of Helsinki. Great way to get a comprehensive review for Finnish history in a few hours. Nice cafe. Interesting changing exhibitions too.

Joyce Tang (2 months ago)
Admission to the museum is: Adults - 12 €, Reduced (student, seniors) - 9 € but admission is free every Friday from 4-6pm. As expected, this museum is filled with all things Finnish, and a good way to pass the time while learning something about this fabulous country. I suspect part of the museum has recently been refurbished as there is quite a strong paint smell. The museum is interactive, encouraging you to actively engage in the exhibits. See the making of the Karuselli Chair, discover how significant and important the sauna is to this country, and the famed cardboard box for newborns. One of my favourite parts of the museum was the wall of past Finnish presidents - take a closer look at them and you'll be in for a surprise!

Shaun Theobald (2 months ago)
Fantastic museum. Staff incredibly polite and helpful. Really enjoyed the re-modelled prehistory gallery. Coffee and cafe superb! Will be returning when next in Helsinki.

Featured Historic Landmarks, Sites & Buildings

Photo from Flickr, copyright santiagolopezpastor

Historic Site of the week

Royal Palace of Aranjuez

Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.

After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy"s most lavish country retreat: during Spain"s Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.

Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.

The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.

The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.

Real Casa del Labrador

As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer"s house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.

King"s Garden, the Island Garden, Parterre Garden and the Prince"s Garden

Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King"s Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.

Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.

The Prince"s Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI"s old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette"s gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.

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