The National Museum of Finland presents Finnish history from the Stone Age to the present day, through objects and cultural history. The permanent exhibitions of the National Museum are divided into six parts. The Treasure Troves presents the collections of coins, medals, orders and decorations, silver, jewellery and weapons. Prehistory of Finland is the largest permanent archeological exhibition in Finland. The Realm presents of the development of Finnish society and culture from the Middle Ages 12th century to the early 20th century, through the Swedish Kingdom Period to the Russian Empire Era. The "Land and Its People" presents Finnish folk culture in the 18th and 19th centuries, life in the countryside before the industrialisation.
Workshop Vintti - Easy History, is an interactive exhibition, where visitors can study the history of Finland and its culture using their hands and brains. It is based on experimentation and personal experience, and the tasks and assignments also point the way to exploring the permanent exhibitions of the museum.
The museum's entrance hall ceiling has ceiling frescoes in the national epic Kalevala theme, painted by Akseli Gallén-Kallela, which can be seen without an entrance fee. The frescoes, painted in 1928, are based on the frescoes painted by Gallén-Kallela in the Finnish Pavilion of the Paris World Fair in 1900.
The building of the National Museum was designed by architects Herman Gesellius, Armas Lindgren, and Eliel Saarinen. The appearance of the building reflects Finland's medieval churches and castles. The architecture belongs to national romanticism and the interior mainly to art nouveau. The museum was built from 1905 to 1910 and opened to the public in 1916. The museum was named the Finnish National Museum after Finland's independence in 1917.References:
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.