The National Museum of Finland presents Finnish history from the Stone Age to the present day, through objects and cultural history. The permanent exhibitions of the National Museum are divided into six parts. The Treasure Troves presents the collections of coins, medals, orders and decorations, silver, jewellery and weapons. Prehistory of Finland is the largest permanent archeological exhibition in Finland. The Realm presents of the development of Finnish society and culture from the Middle Ages 12th century to the early 20th century, through the Swedish Kingdom Period to the Russian Empire Era. The "Land and Its People" presents Finnish folk culture in the 18th and 19th centuries, life in the countryside before the industrialisation.
Workshop Vintti - Easy History, is an interactive exhibition, where visitors can study the history of Finland and its culture using their hands and brains. It is based on experimentation and personal experience, and the tasks and assignments also point the way to exploring the permanent exhibitions of the museum.
The museum's entrance hall ceiling has ceiling frescoes in the national epic Kalevala theme, painted by Akseli Gallén-Kallela, which can be seen without an entrance fee. The frescoes, painted in 1928, are based on the frescoes painted by Gallén-Kallela in the Finnish Pavilion of the Paris World Fair in 1900.
The building of the National Museum was designed by architects Herman Gesellius, Armas Lindgren, and Eliel Saarinen. The appearance of the building reflects Finland's medieval churches and castles. The architecture belongs to national romanticism and the interior mainly to art nouveau. The museum was built from 1905 to 1910 and opened to the public in 1916. The museum was named the Finnish National Museum after Finland's independence in 1917.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.