The church of Santa Chiara is located in Corso Vittorio Emanuele, next to the former Benedictine monastery of the Holy Crucifix.The church was designed by Rosario Gagliardi around 1730, it was completed in 1758 and later annexed to the monastery belonged the Benedictine nuns (which is now a museum).
It represents an important example of baroque architecture.The façade of the church was originally located in Corso Vittorio Emanuele. It had a portal surmounted by a broken vault, while at the centre there was a window with a large circular gable decorated with battlements. In the 19th century, as a result of previous excavation works, the church’s entrance turned to be above the street level, which practically obstructed the access to the worship place. The same thing happened to the portal of the monastery (now walled but easily detectable by lavish baroque battlements and pyramidal pinnacles which are still visible).The current façade, located in via Capponi, has the main entrance located on a small staircase.
Among the many artworks inside the church, there is an altarpiece depicting Santa Chiara, San Benedetto and Santa Scolastica, made by Salvatore Lo Forte in 1854 and a 16th century marble-made sculpture of the Virgin and the Child, attributed to Antonello Gagin.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.