Gößweinstein Castle a medieval hilltop castle in Gößweinstein in the county of Forchheim in the German state of Bavaria. It towers high above the market town and the River Wiesent and may have been the inspiration for Richard Wagner's grail castle in his opera, Parsifal.
The castle was probably named after its founder, Count Gozwin. He was killed in 1065, after he had invaded the territory of the Bishop of Würzburg. The first record of Goswinesteyn castle is dated to 1076. At that time, Emperor Henry IV had Bishop Burchard II of Halberstadt, who had become embroiled in the Saxon Rebellion, incarcerated there, a fact which suggests it was already a strong fortress.
From the time of Bishop Otto of Bamberg there is evidence that the castle became part of the Bamberg estate. From 1348 to 1780 it was the seat of a vogtei under the bishops of Bamberg.
In 1525, during the Peasants' War it was destroyed and rebuilt. During the Second Margrave War in 1553 the castle was again destroyed and later rebuilt.
The castle became a Bavarian possession as a result of secularisation of the Bishopric of Bamberg in 1803. The Bavarian state sold the castle in 1875 to Pauline Rabeneck, a landowning widow from the Manor (Rittergut) of Aspach near Uffenheim. In 1890 Baron Edgar of Sohlern purchased the castle and had it remodelled in the Neogothic style. The castle chapel also has Late Gothic statues.
The castle is still in the hands of the von Sohlen family. It houses a medieval museum which may be visited for a small entrance fee and there is a beer garden and terrace with good views over the Wiesent valley and village of Gößweinstein.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.