Details
Founded: 11th centuryCategory: Castles and fortifications in France
Historical period: Birth of Capetian dynasty (France)
User Reviews
The Château de Thouzon, located in the commune of Le Thor in Vaucluse, was originally a fortified Benedictine monastery. It preserves an ancient vaulted church, a chapel, two towers, remnants of walls, and a stone-carved cistern in its courtyard. Privately owned, the site is restored and maintained by a volunteer association that organizes summer youth projects.
In 1014, the Benedictines of Saint-André Abbey gained possession of Thouzon, confirmed by the Bishop of Cavaillon. Throughout the 11th and 12th centuries, prominent figures such as Raymond IV of Toulouse and Pope Gelasius II granted privileges to the abbey. By 1202, the monks of Saint-André held sole ownership of Sainte-Marie and Saint-Pierre churches, despite still owing allegiance to the house of Toulouse. The site was briefly occupied by soldiers in 1396.
In 1563, the Baron des Adrets entered the domain during the Wars of Religion. In 1696, the château was sold to Joseph de Martin, then passed through various families, suffering gradual decline. In 1836, part of the château was dismantled due to local authority orders, despite ownership disputes.
The Thouzon altarpiece, now in the Louvre, consists of two painted willowwood panels depicting scenes from the life of Saint Andrew. Discovered in 1870 in one of Thouzon’s chapels, it portrays Saint Andrew driving out demons and extinguishing a fire with his disciple.
The site is open to pedestrians year-round. Sainte-Marie Church is accessible on the first and third Sundays of each month, during Heritage Days, and on the first Sunday in May.
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.