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Founded: 11th centuryCategory: Castles and fortifications in France
Historical period: Birth of Capetian dynasty (France)
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The Château de Thouzon, located in the commune of Le Thor in Vaucluse, was originally a fortified Benedictine monastery. It preserves an ancient vaulted church, a chapel, two towers, remnants of walls, and a stone-carved cistern in its courtyard. Privately owned, the site is restored and maintained by a volunteer association that organizes summer youth projects.
In 1014, the Benedictines of Saint-André Abbey gained possession of Thouzon, confirmed by the Bishop of Cavaillon. Throughout the 11th and 12th centuries, prominent figures such as Raymond IV of Toulouse and Pope Gelasius II granted privileges to the abbey. By 1202, the monks of Saint-André held sole ownership of Sainte-Marie and Saint-Pierre churches, despite still owing allegiance to the house of Toulouse. The site was briefly occupied by soldiers in 1396.
In 1563, the Baron des Adrets entered the domain during the Wars of Religion. In 1696, the château was sold to Joseph de Martin, then passed through various families, suffering gradual decline. In 1836, part of the château was dismantled due to local authority orders, despite ownership disputes.
The Thouzon altarpiece, now in the Louvre, consists of two painted willowwood panels depicting scenes from the life of Saint Andrew. Discovered in 1870 in one of Thouzon’s chapels, it portrays Saint Andrew driving out demons and extinguishing a fire with his disciple.
The site is open to pedestrians year-round. Sainte-Marie Church is accessible on the first and third Sundays of each month, during Heritage Days, and on the first Sunday in May.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.